Everyman, the play, lives up to its name in every sense of the word. The title takes a character named Everyman and takes him through a journey to face God. Through his journey the reader is able to reflect upon their own life and see some of the various ways people view life and mistakes made. Many people share those same views now as well as then in the 1400s when the play was written. The play is a moral play. Therefore, leaving the audience with something to meditate on after reading it. The anonymous writer uses characters with human attributes of a person such as beauty, strength, knowledge among others. Other times, the writer uses characters such as God, Angel, Everyman and even Death to enable the reader to understand the play.…
Many of William Shakespeare’s plays are so memorable because of the protagonists presented in them. Shakespeare delicately crafts (his) protagonists as complex characters that (evoke) different responses from the audience, often leaving the audience with a memorable impression of how they initially felt about the protagonist and how over time those feelings changed due to their experiences in life. Even after the play, the protagonist’s reactions to the events that took place in the play stay with us, because they make us question how we would have handled the situations that the protagonist was presented with. This exact feeling happens in two of Shakespeare’s early plays, Titus Andronicus and Hamlet. Both plays present two protagonists of…
Notorious for its significance, the Ark of the Covenant is perhaps one of the most sought after artifacts of ancient biblical history. The mystique which surrounds the history of the Ark feeds the hunger of historians and archaeologists abroad. To gain a better understanding of the Ark of the Covenant, a short historical synopsis will be needed. In the pages to follow you will learn about the origin, journey and disappearance of the Ark.…
In our novel Hamlet, our protagonist is faced with the task of avenging his father's death. Who was wrongfully murdered and Hamlet knew so but despite that he still had trouble killing the man who killed his father. This is what makes Hamlet a tragic hero, he uses indecision and procrastination to drive him to his downfall. Oedipus on the other hand is completely different. Oedipus was in denial he tried to stop his own fate, but ended up running “smack dab” into it. He was also filled with rage causing him to do things he shouldn't have done. This is what makes these two tragic heroes. They have terrible flaws that lead them to their downfalls. A tragic hero is a protagonist who tries to save the day and is successful but in the process they…
Next, comparing these two epic should be an easier task because there is not much to it. They are both heroes in their own way and both embark on a journey to achieve a goal. Basically, the goal in the end is realizing your true self for both of them. Finding out the true identity from his parents for Oedipus or looking for eternal life for Gilgamesh, both attain their goals for finding their true identities. For better or worse.…
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.…
Fairness, loyalty, and protection are all qualities that a proper king would bestow upon his people. Such qualities are rarities amongst our recently read works, however these qualities are not always necessary for kings to be heroic. Gilgamesh, for example, takes advantage of his people's brides on their wedding nights and is a foolish ruler. Oedipus, on the other hand, helps his people cope with their problems. Between the two, Oedipus is undoubtably the best guy for the job as far as kings and leaders are categorized. Despite the two's opposites in ruling capabilities, Oedipus and Gilgamesh are very similar with their outstanding heroism.…
In some works of literature, a character may not appear at all but play an important role in developing other characters or the action of those characters. Waiting for Godot is a prime example of such plays, where a character, Godot, never appears but is the basis of the play. The absence of Godot in Waiting for Godot, affects the characters’ actions and the development of the theme, that society is characterized by inaction and the ability lacked by individuals to communicate effectively.…
The first scene in City of God starts with an extreme close-up of someone sharpening a knife on a black rock. The camera “flickers” or cuts back and forth from a black screen to the knife repeatedly. This makes it hard to see the knife but easier to hear the diegetic sound of the blade running across the rock. At this point (30 seconds into the film) the audience does not know why the blade is being sharpened. As the scene develops further, cross-cutting and extreme close-up shots are used. Many of the shots seem to be preparation for a meal. We see close-up shots of carrots being peeled and the camera crosscuts to a chicken being killed and plucked. Also, a few snips of a man playing a guitar or some other type of string instrument fit into the crosscut pieces. We get clips of sandaled feet shuffling or dancing along with the music being played softly in the background. We…
Tragic hero’s always have flaws which set them apart from the rest of the characters within their respective settings,. In the plays Oedipus Rex by Sophocles and Hamlet by William Shakespeare, the opposing nature of the two characters result in the method of action taken by the two tragic hero’s. It is in Hamlets nature to deeply think, reflect and make certain his reasoning before taking action whereas Oedipus is a more impulsive character whose decision making is very radical, which eventually results in him being unable to see the consequences of his actions, therefore making him a more tragic hero.…
In ancient drama, the character is often of noble birth and hold an important social position. At the same time, he is the tragic hero and any decision he makes lead him to personal catastrophe. An ancient main character is a victim of tragic irony. A hero commits a crime not being aware of that. He suffers some serious misfortune which is not accidental and meaningless, but is significant and logically connected with the his actions. A character in ancient drama is not largely developed psychologically. We do not get a full picture of king Oedipus personality. We've got very little information about his appearance; his action and speech don't tell us anything about his emotions. In contrast, we know a lot about Hamlet's emotions and feelings. Unlike Greek tragedy, a hero in modern drama, is often an ordinary person, not high born. Modern drama such as “Waiting for Godot” shows the tragedy not of the strong and noble, but weak…
| The male protagonists in both plays are portrayed as impulsive, rash and guided by their emotions. Stanleyshows his aggression after a small incident (Blanche turning on the radio) and Oedipus makes rash decisions that harm him in the end (the decision to exile Laius’ killer). Females on the other hand, are shown to have a more submissive role.…
Oedipus, in “Oedipus the King” by Sophocles, is by all means a hero in the eyes of the Ancient Greek audience. In order to explain why that is, it is important to understand the meaning of Greek tragedy, as opposed to modern tragedy. How can a hero in a Greek tragedy be defined? The most widely accepted definition of Greek tragedy was written by Aristotle in his “Poetics”, where he details the various characteristics that make a protagonist a hero in a Greek tragedy. Based on Aristotle's definition, there are three main characteristics in “Oedipus the King”, among others, that show that Oedipus is a hero in the eyes of the ancient Greek audience. First, he is a good character, one whose moral choices are good. Second, he is consistent, and acts similarly throughout the play. Third, he has tragic flaws that ultimately cause his downfall.…
In Waiting for Godot, Samuel Beckett produces a truly cryptic work. On first analyzing the play, one is not sure of what, if anything, happens or of the title character's significance. In attempting to unravel the themes of the play, interpreters have extracted a wide variety symbolism from the Godot's name. Some, taking an obvious hint, have proposed that Godot represents God and that the play is centered on religious symbolism. Others have taken the name as deriving from the French word for a boot, godillot. Still, others have suggested a connection between Godot and Godeau, a character who never appears in Honore de Balzac's Mercadet; Ou, le faiseur. Through all these efforts, there is still no definitive answer as to whom or what Godot represents, and the writer has denied that Godot represents a specific thing, despite a certain ambiguity in the name. Upon study, however, one realizes that this ambiguity in meaning is the exact meaning of Godot. Though he seems to create greater symbolism and significance in the name Godot, Beckett actually rejects the notion of truth in language through the insignificance of the title character's name. By creating a false impression of religious symbolism in the name Godot Beckett leads the interpreter to a dead end.…
An initiative supported by the John D. and Catherine T. MacArthur Foundation. Knowledge Brief December 2011. Can Risk Assessment Improve Juvenile Justice System? Retrieved from: http://www.nysap.us/Knowledge_Brief_Can_Risk_Assessment_Improve_Juvenile_Justice_Practices.pdf…