Bibliography: N/A
Bibliography: N/A
Frank: W B Yeats, Thanks for reminding me Rita ‘The Wild Swans at Coole’ springs to mind again! The musings of a middle aged man like myself. I lost the appetite for being a poet long ago and now all I have left is nothing except the acrid taste of whisky in my mouth....…
The three-stanza poem seems to create three distinct stages of Autumn: growth, harvest, and death. The theme going in the first stanza is that Autumn is a season of fulfilling, yet the theme ending the final stanza is that Autumn is a season of dying. However, by using the stages of Autumn's as a metaphor for the process of death, Keats puts the concept of death in a different, more favorable light.…
After Yeats’ dreams come the memories of the woman. In three of the five stanzas Yeats repeats the words ‘Vague memories, nothing but memories.’ Yeats’ actual memories of her have faded as he got older, another result of time and ageing. Yeats can only remember a small amount about her, a large amount of that being her looks and beauty, he has been dreaming about that one thing for so long that he has forgotten everything else about her. It is suggested that even the memories that he still has become blurred and they are not as they actually were. In the fourth stanza she enters a lake with one small imperfection that makes her stand out, but if she were to leave the lake it is implied that this imperfection will disappear and she will be utterly perfect. That imperfection is the one of her characteristics that makes her so appealing to Yeats and so even more memorable, if that were to go then perhaps he will forget her altogether.…
The Poem ‘Winter Swans’ seems to convey a strong theme of natural love. The poem begins with setting a scene of a peaceful day, where nature seems to be stilled after the torrential weather that is referred to in the first line through ‘The clouds had given their all.’ It goes on to say that there was then a ‘break’, and throughout the poem the poet uses words such as ‘silent’ and ‘rolling’, ‘stilling’ and ‘slow-stepping’ to capture this scene of peace and serenity, as if the world was resting after being thrashed about by a storm.…
Humanity’s ungraspable longing for a sense of permanence such for beauty, aging and love, acquires tones of both contemplation and despair such seen in The Wild Swans At Coole. This reception of despondency is portrayed in the juxtaposition by the “sore heart” of an “aging poet”, with the “brilliant creatures” whose “hearts have not grown old”. In addition to this physical pain, it is the sense of loss that signifies humanity’s desire for something that is lasting. Yeats clearly admires the nature; especially the “autumn beauty”, as he “counts” his “nineteenth” one. The water imagery throughout described as detailed observations of “brimming” and his careful observations of the swans displays his meditation and appreciation through nature, but then echoes his envy towards their beauty and apparent immortality being different to himself. Yeat’s life develops symbolically as a “woodland path”- eventually becoming metaphorically “dry” and miserable. This portrays a sense of reflection as time passes, looking back, showing that Yeats “unwearied still” holds onto his desire to love, despite already knowing it is unaquirable as it has…
William Butler Yeats' poem "The Wild Swans at Coole" tells of a man who, in the autumn, would visit this pool of water that was a resting place for a flock of swans. He visits them one autumn but does not return for 19 years, "The nineteenth autumn has come upon me since I first made my count." Yeats uses simple diction so he does not distract from the empasis on the swans themselves. Words like; "Clamorous" (line 12) and "Bell-beat" (line 17) describe the nature of the swan's wings, the sounds they make and the effect the sound has on him. The details that Yeats gives about the swans, help the reader to visualize what the speaker is seeing. "The trees are in their autumn beauty, The woodland paths are dry." tells us the season that the poem is set and gives us a picture of the speakers surroundings. "I have looked upon these creature and now my heart is sore." The speaker is very fond of these swans, that is why he visits them and watches their continuing cycle of coming and going.…
William Butler Yeats’ poetry possesses strong imagery and themes of stability and change. Two of the poems, which especially highlight these elements, are The Second Coming and The Wild Swans At Coole. Within both of these poems the recurring imagery conjures creates strong elements of stability and change.…
In the poem, the author describes the scene of birds singing early in the morning and how quickly the sereneness ends. The author uses diction and metaphors to describe the birds’ song.…
The gentle, tone in Oliver’s poem “Wild Geese” is extremely encouraging, speaking straight to the reader. In this particular poem, the lines don’t rhyme, however it is still harmonious in not only rhythm but repetition as well. Take note of the rhythm in the lines starting with the word “You”: “You do not have to be good,” “You do not have to walk,” “You only have to let.” This rhythm is also heard in the lines starting with the word “Meanwhile”: “Meanwhile the world goes on,” “Meanwhile the sun and the clear pebbles,” “Meanwhile the wild geese.” The reiteration of the words “You” and “Meanwhile” presents a soft rhythmic element to the writers expression. It attracts readers with its tenderness while also inspiring the understanding with what this poem really means.…
The ballad is structured in Quatrains for all of Part 1, but this changes to symbolise a change in the narrative. Stanzas six and eleven end in the same line: ‘The bright-eyed Marinere.’ The seventh Stanza is reversed at the end of the poem to show when he is going away from the familiar and when he is returning to it.…
“WC”, written in romantic style, emphasises his inner turmoil through an array of poetic techniques entrenched within a cynical yet lethargic tone. “Nine and fifty swans” exemplifies the misery of his single life by juxtaposing the strength in unity of the swans. This enduring symbol of swans in his poetry evokes empathy towards his depressed state as he continues to elevate the imagery of the swans by juxtaposing their unity “cold companionable streams” to his solitude.…
The following quote "The sedge is withr'd from the lake, And no birds sing," (Keats)…
Each section begins with a bold phrase that summarizes the event. A sudden blow' initiates the octave and a shudder in the loins' the sestet. The octave is written in the present tense. The first three lines of the sestet look to the future, Agamemnon dead'. The last three lines look back on the violent encounter. The two-part structure is repeated again in the grammatical construction. Each half contains two sentences, each a complete stanza. The first and third sentences are declarations, the second and fourth are interrogations. Yeats uses the alternating statements and questions to lead the reader to alternate identifying with the swan during the affirmative sentences and Leda in the interrogative ones.…
Throughout the poem, Leda and the Swan, allusions and different varieties of poetic elements are used to depict how a helpless young woman becomes violently reduced into being a sexual object instead of just being a customary girl. The author, William Butler Yeats, does not just use allusions in his poem to illustrate what Leda had to go through he also had used other types elements of poetry such as tone, mood, and rhyming, structure and irony, and imagery.…
WS is Yeats' melancholy lament for the progression of time and the transitory nature of the human life which draws upon our own feelings of mutability to resonate beyond the page. Yeats introduces time to the poem with the reference to autumn, creating tactility in the physical image but more importantly an effected ambience. Yeats employs autumn as an objective correlative, divulging his feelings of progression towards poetical and physical sterility as he entered the "twilight" years of his life, a change which he resolutely resents. This progression is contrasted starkly against the temporal wild swans whose "hearts have not grown old", in fact Yeats views the swans, "wheeling in great broken rings," as transcendent of time, breaking free of the gyres applicable only to the temporal earth and human kind. His fascination with their changeless state is evident as he positions the swans both in water, the mundane world and then includes their transcendence into the air, the eternal and spiritual, an attribute that he is most envious of, to the point that “it makes his heart sore.” The poem leaves us in admiration of these eternal creatures that transcend change and allows us to reflect, as Yeats did, upon our own struggle with the…