Tool of the Devil: Comparing Satan in Paradise Lost and the Golden Compass

The devil, in literature, is always a catalyst of change for those who encounter him. He is a force working underground, moving against what is widely considered virtuous and good, and it is contact with him that often changes the course of characters lives, and even the world. In Paradise Lost and a book based on it, The Golden Compass, ‘the devil', in both cases, is an advocate for moving away from the control of God and the Church. Where the stories differ, is in the author's intent for these actions. In the former, John Milton uses the devil to display how vanity and pride are the sins that halt us in an opportunity to live blissfully, with and under God. Philip Pullman, in his twist on Paradise Lost, The Golden Compass, claims that the original sin was the first, and most essential, step in human beings claiming their free will. He writes the devil (Lord Asriel) as a manipulative, selfish but ultimately admirable character. One who stands his ground and holds onto his beliefs with an intense passion. Milton's Satan, on the other hand, comes off originally as charming, but slowly presents himself to be weak and unsure, and his ideals are eventually presented as a mask for his insatiable pride. When Milton's Satan tricks Adam and Eve into leaving paradise, they are ultimately worse off. Pullman, on the other hand, shows that human beings are essentially crippled without their right and ability to sin and make choices. It is through their differing portrayals of Satan, that Milton and Pullman present their respective cases on how the original sin caused man to lose paradise and eternal bliss, or find free will. When Paradise Lost begins, the vainglorious actions of Satan have resulted in his removal from heaven and placed him on the path to exact revenge against those who have done so. Though, the reader is hardly able to experience any distaste when reading about this man who opposes the consented force of good. He is are charming, dark, fanatical and