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Their Eyes Were Watching God

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Their Eyes Were Watching God
The Development of a Character with the Use of Figurative Language Throughout the novel Their Eyes Were Watching God, author Zora Neale Hurston is able to go into great detail using various forms of figurative language. With the use of assorted metaphors and symbols, she is able to express the feelings and emotions of Janie, the main character. Zora Neale Hurston uses figurative language in Their Eyes Were Watching God to develop Janie’s character and love life over time. Janie’s hair is used as a symbol of power that represents her strength, freedom, individuality and beauty throughout the novel. In the beginning of the novel the people in her town make it clear that it is unbecoming for girls of Janie’s age to wear their hair down “What dat ole forty year ole ‘oman doin’ wid her hair swingin’ down her back lak some young gal?”(Hurston 2). Janie’s continual refusal to put her hair up reveals how strong and self confident she is. As the novel progresses Janie’s way of showing her true beauty and freedom is to let her hair down. All throughout the novel Janie’s hair is almost used as lure when attracting men. Tea Cake is especially attracted to her hair, “Why, Tea Cake? Whut good do combin’ mah hair do you? It’s mah comfortable, not yourn. It’s mine too. Ah ain’t been sleepin’ so good for more’n uh week cause Ah been wishin’ so bad tuh git mah hands in yo’ hair. It’s so pretty. It feels jus’ lak underneath uh dove’s wing next to mah face” (Hurston 103). Her hair pleases not only Tea Cake but Janie herself. Tea Cake touches her hair and gets pleasure from the beauty of it while giving her self confidence and making her believe in herself. Her hair is used a symbol to show who she really is and develop her character. Like Janie’s hair, the pear tree and horizon serve as a metaphoric symbol throughout the novel. Janie lays under the pear tree to look at the horizon, she sees a bee and a flower in their own happiness and wants to find that for herself “She

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    Their Eyes Were Watching God

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    Reading Guide Preview Their Eyes Were Watching God Zora Neale Hurston About the Author Although Zora Neale Hurston (1891–1960) died penniless and was buried in an unmarked grave in a racially segregated cemetery, she had a remarkable career as a novelist. She was also a pioneer in documenting African American culture. Hurston grew up in Eatonville, Florida, a fully incorporated African American township, and studied at Howard University. In 1925, she moved to New York City, where she became an influential talent of the Harlem Renaissance, the blossoming of African American literature and art. While attending Barnard College, she met the famous anthropologist Franz Boaz, who convinced her to study the folklore of African Americans in the South. Her first collection of African American folk tales, Mules and Men, was published in 1935. Her second collection, Tell My Horse, published in 1938, also contained descriptions of African American cultural beliefs and rituals brought from Africa. Hurston achieved critical and popular success with her novels Jonah’s Gourd (1934), Their Eyes Were Watching God(1937), and Moses, Man of the Mountain (1939). She also wrote a prizewinning autobiography, Dust Tracks on a Road (1942), as well as short stories and plays. When Hurston died in 1960, all her works were out of print. In the 1970s, African American author Alice Walker revived interest in Hurston, helping to restore her reputation. Background Their Eyes Were Watching God is set in Florida during the 1930s. Although the story is fictional, the town of Eatonville, built and governed by African Americans, is real. At the end of the Civil War, blacks settled near the town of Maitland. In 1882, the black businessman Joseph C. Clarke bought a large tract of land, subdivided it, and sold lots to black families. In 1887, blacks incorporated the area as an independent town called Eatonville, Hurston’s childhood home. Quick Guide As you read Their Eyes Were Watching God, keep…

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    Hair is referenced frequently throughout the novel, and ties nearly all of themes present in the novel together. Janie’s long, beautiful hair is a centerpiece of the novel. Jody, her second husband, makes her tie it up, because, “She was in the store for him to look at, not those others.” (Hurston, 55). Janie’s hair is a weapon, a tool to be used against Jody, so he makes her keep it covered, so no one else can have her. It is symbolic of her lack of her free will. However, as it says in the “How To Read Literature Like A Professor”, a symbols meaning isn’t set in stone. (Foster, 98) Hair also represents the separate races of whites and blacks, and the separate classes that come with that. Mrs. Turner’s hair is close to her head, as that is how a stereotypical white woman’s hair is (however she is not white, she is allegedly pretending to be). This shows that being a white women is preferred. This symbol is extended when Tea Cake has to bury victims of the flood. He inquires a guard about how he’s supposed to tell who gets a coffin (because white people are supposed to get one, but not blacks) when they all look black due to the flood. The guard replies, “Look at they hair.” (Hurston, 171). In this instance, hair is a curse. It separates…

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