Investigating ritual drama and applied theatre as a tool of therapy
Applied theatre is not only a single specific function which covers different outlines of forms of theatre and performance but contributes to precise frequent characteristics which I will discuss thoroughly, but then it transforms into an expression referring to precise forms which it creates itself. It advocates that the dissertation that defines a restricted type of fundamental category, preserved in an evangelical structure. The innovative communication performs to prohibit a variety of previous performance practices that may previously have been considered and suitably placed beneath applied theatre rather than a single specific function. Also reflection is given to why the term was established, whether it provides a helpful purpose, and to its consequent route. In addition, this implies that one of the outlines that have been pressed out into discussion is drama is seen as a tool of remedy, which then I will look at and use relative viewpoints and examine the distinction between them both.
Augusto Boal theatre of oppressed Boal (2001, p.171) defines the ways in which the way of image theatre can be engaged as a dramaturgical structure of decolonisation. I identify with decolonisation as a method that entails only the political alteration of nation-states, however, the expression and renovation of leading ideologies are at the height of communities and individual bodies. This is surrounded by the perspective of a decolonising dramaturgical practice stranded in pedagogy of personified learning. Also, image theatre provokes a holistic approach which makes use of personified language and the demonstration of social reality and individuality.
By understanding the development of colonialism, i will use examples of substantive analysis’s of wide range of post-colonial theorists. Theorists at hand use language that requires a collective community and shared theory...