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the value of culture
The Value of Culture
On the relationship between economics and arts edited by Arja Klamer

AM ST ERD AM UN IVE RSIT Y PRE SS

The Value ofCulture

The Value ofCulture
On the Relationship between Economics and Arts

Edited by Arjo Klamer

AMSTERDAM UNIVERSITY PRESS

Cover illustration: Vincent van Gogh, Le docteur Paul Gachet.
Coli. Van Gogh Museum, Amsterdam
Cover design: Marjolein Meijer, BEELDVORM, Leiden
Typesctting: Bert Haagsman, MAGENTA, Amsterdam

ISBN

90-5356-2I9-2 (hardback)
90-5356-218-4 (paperback)

© Amsterdam University Press, Amsterdam, 1996

All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the written permission of both the copyright owner and the author of this book.

Contents
Introduction to the Conversation

7

Aria Klamer r The Value of Culture

'3

Aria Klamer

PART ONE: ON VALUE

2

The Value of Art: A Philosophical Perspective

Antoon Van den Braemhussche
3

The Value of Culture: A Dialogue

J '

44

Barend van Heusden, Arjo Klamer

4

"The Good, the Bad and the Different":
Reflections on Economic and Aesthetic Value

,6

David Ruaio, Julie Graham, Jack Amariglio

PART

Two:

ON THE VALUE OF ART

s

The Value of Public Art as Public Culture
JosephJ. Ccrdes; Robert S. Goldfarb

77

6

Market Value and Artists ' Earnings

96

Ruth Towse
7

Big City, Great Art: A Myth about Art Production

'08

Gerardde Vries
8

The Value of Play

m

MichaelHutter
9

The Artistic Conscience and the Production of Value

HansAbbing

'3 8

PART THREE: ON CULTURE ro Political Culture and the Economic Value of Citizenship:
A French-Dutch Comparison in the Nineteenth Century

'5 '

Prances Gouda
rr



References: Barasch, M. (1973). The City. Dictionary of the History of Ideas Ed. P. P. Wiener. Berman, M. (1988). All that is solid melts into air. London, Penguin Books. Castells, M. and P. Hall. (1994). Technopoles of the World - The making of twentyfirst-century industrial complexes. London and New York, Routledge. Durkheim, E. (1964 (org. 1902}). The Division of Labor in Society. New York and London, The Free Press. Howe, I. (1973). The Critical Pointon Literature and Culture. New York, Horizon. Joyce,J. (1968 (erg. 1922)}. Ulysses. Harmondsworth, Penguin. Kiamer, A. (1995). "The Value of Culture." Boekmancahier7(25): 298 - 310, reprinted here as Chaprer r. Latour, B. (1987). Science in Action. Milton Keynes, The Open University Press. Lukes, S. (1973). Emile Durkheim - his Life and Work: a Historical and Critical Study Mitchell, W. J. (1995). City of Bits - Space, Place, and the Infobahn. Cambridge {Mass.),MIT Press. Nussbaum, M. C. (1990). Love 's Knowledge - Essays on philosophy and literature. Schama, 5. (1995). Landscape and Memory. New York, Alfred A. Knopf Simmel, G Swaan, A. de. (1991). Perron Nederland. Amsterdam, Meulenhoff. Vidal, G. (1992). Screening History. London, Andre Deursch. Weber, M. (1923). Wirtschaftsgeschichte. Miinchen und Leipzig, VerIagVon Duncker & Humblot. Wittgenstein, L. (1969). Philosophische Untersuchungen. Frankfurt a.M, Suhrkamp Verlag. Wittgenstein, L (1970). Philosophische Bemerkungen. Frankfurt, Suhrkamp. Wittkower, R. (1973). Genius: individualism in an and artists. Dictionary of the History ofIdeas Ed. P. P. Wiener. New York, Charles Scribner 's Sons. ll, 297"312. of the "SOCial organism" are individuals - who are, of course, organisms in themselves (Hutter 1994).More successful were constructions that continued the notion of "general equilibrium", but added a SOCIal mechanism for dealing with frequent

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