F. Scott Fitzgerald uses a lot of colors in "The Great Gatsby" to underline his ideas. | Golden stands for
1) richness, but also
2) happy or prosperous: golden days, golden age
3) successful: the golden girl of tennis
4) extremely valuable: a golden opportunity
At Gatsby's parties even the turkeys turn to gold. "..turkeys bewitched to a dark gold" (p. 41). Jordan Baker - the golden girl of golf - is associated with that color. "With Jordan's slender golden arm resting in mine" (p. 44); "I put my arm around Jordan's golden shoulder" (p. 77). With a few sentences Fitzgerald throws a light at the turbulent months while Daisy is waiting for Gatsby during the war. "All night the saxophones wailed the hopeless comment of the »Beale Street Blues« while a hundred pairs of golden and silver slippers shuffled the shining dust. At the grey tea hour ..." (p. 144). Here even the dust in the rooms, usually grey, is shining, while the usually golden tea is served at the grey tea hour. We find that contrast between golden and grey once more in "we went about opening the rest of the windows downstairs, filling the house with grey-turning, gold-turning light" (p. 144). | Silver represents jewellery and richness.
In The Great Gatsby the moon or moonlight or the stars are often silver: "the silver pepper of the stars" (p. 25); "The moon had risen higher, and floating in the Sound was a triangle of silver scales" (p. 48); "A silver curve of the moon hovered already in the western sky" (p. 114). | Sometimes the gold at Gatsby's house turns to yellow. Thus the richness is only a cover, a short sensation, like the yellow press for the more offensively sensational press. "now the orchestra is playing yellow cocktail music" (p. 42). In contrast to the golden girl Jordan, her admirers are only yellow. "two girls in twin yellow dresses"; "»You don't know who we are,« said one of the girls in yellow, »but we met you here about a month...