I spent several days and nights in mid-September with an ailing pig and I feel driven to account for this stretch of time, more particularly since the pig died at last, and I lived, and things might easily have gone the other way round and none left to do the accounting. Even now, so close to the event, I cannot recall the hours sharply and am not ready to say whether death came on the third night or the fourth night. This uncertainty afflicts me with a sense of personal deterioration; if I were in decent health I would know how many nights I had sat up with a pig.
The scheme of buying a spring pig in blossom time, feeding it through summer and fall, and butchering it when the solid cold weather arrives, is a familiar scheme to me and follows an antique pattern. It is a tragedy enacted on most farms with perfect fidelity to the original script. The murder, being premeditated, is in the first degree but is quick and skillful, and the smoked bacon and ham provide a ceremonial ending whose fitness is seldom questioned.
Once in a while something slips - one of the actors goes up in his lines and the whole performance stumbles and halts. My pig simply failed to show up for a meal. The alarm spread rapidly. The classic outline of the tragedy was lost. I found myself cast suddenly in the role of pig's friend and physician - a farcical character with an enema bag for a prop. I had a presentiment, the very first afternoon, that the play would never regain its balance and that my sympathies were now wholly with the pig. This was slapstick - the sort of dramatic treatment which instantly appealed to my old dachshund, Fred, who joined the vigil, held the bag, and, when all was over, presided at the interment. When we slid the body into the grave, we both wore shaken to the core. The loss we felt was not the loss of ham but the loss of pig. He had evidently become precious to me, not that he represented a distant nourishment in a hungry time, but that he had suffered in a suffering world. But I'm running ahead of my story and shall have to go back.
My pigpen is at the bottom of an old orchard below the house. The pigs I have raised have lived in a faded building which once was an icehouse. There is a pleasant yard to move about in, shaded by an apple tree which overhangs the low rail fence. A pig couldn't ask for anything better - or none has, at any rate. The sawdust in the icehouse makes a comfortable bottom in which to root, and a warm bed. This sawdust, however, came under suspicion when the pig took sick. One of my neighbors said he thought the pig would have done better on new ground - the same principle that applies in planting potatoes. He said there might be something unhealthy about that sawdust, that he never thought well of sawdust.
It was about four o'clock in the afternoon when I first noticed that there was something wrong with the pig. He failed to appear at the trough for his supper, and when a pig (or a child) refuses supper a chill wave of fear runs through any household, or icehousehold. After examining my pig, who was stretched out in the sawdust inside the building, I went to the phone and cranked it four times. Mr. Henderson answered. "What's good for a sick pig?" I asked. (There is never any identification needed on a country phone; the person on the other end knows who is talking by the sound of the voice and by the character of the question.)
"I don't know, I never had a sick pig," said Mr. Henderson, "but I can find out quick enough. You hang up and I'll call Irving."
Mr. Henderson was back on the line again in five minutes. "Irving says roll him over on his back and give him two ounces of castor oil or sweet oil, and if that doesn't do the trick give him an injection of soapy water. He says he's almost sure the pig's plugged up, and even if he's wrong, it can't do any harm."
1 thanked Mr. Henderson. I didn't go right down to the pig, though. I sank into a chair and sat still for a...
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