descriptions, leaving a melange of possible meanings in the reader's lap.
One exception to this trend is Conrad's symbolic use of ivory. Within the
frame of the story, his references to ivory can obviously be seen as a
representation of the white man's greed. Towards the end of the book ivory
comes to symbolize the oozing evil that drips from the heart of darkness.
It isn't long before Conrad makes a commentary on the greed of the
whites. By the thirty-seventh page via Marlow associates them with a "false
religion." He says that the men at the Central Station are, "like a lot of
faithless pilgrims bewitched inside a rotten fence. Pilgrims are usually
people who travel to a holy place, so why the choice of words? Conrad
further explains in the following lines when he says, "The word 'ivory'
rang in the air, was whispered, was sighed. You would think they were
praying to it." In their rapacity the "pilgrims" have placed ivory as their
God, a realization that has greater meaning towards the end of the book.
The significance of ivory begins to move away from avarice and
takes on a purely evil connotation as Marlow approaches those hearts of
darkness: the Inner Station and Kurtz. Kurtz's relationship with ivory
seems to have been reiterated by every company member through the course of
the story. Of course Kurtz "harvested" more ivory than all the other
stations combined, and therefore it almost seems appropriate that Conrad
would use extensive ivory imagery in describing Kurtz. Earlier, during his
digression on Kurtz, Marlow says, "The wilderness had patted him on the
head, and, behold, it was like a ball-an ivory ball". By the time that
Kurtz is carried out on a stretcher the evil has so overtaken him that, "I
could see the cage of his ribs all astir, the bones of his arms...