Preview

The Social Structure of the 1920s

Powerful Essays
Open Document
Open Document
2300 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Social Structure of the 1920s
Michael Morelli
06 November 2012

The Roots of the 1920’s Social Life
The Great War was very essential in providing the stepping stones into life during the 1920s as well as maintaining effects on the social atmosphere. In late 1918, the Great War had come to an end with the Allies achieving victory. This war had supposedly been the war to end all wars, and this victory brought confidence back home to the Americans. American troops came home at the end of 1918, and they came home to an America about to experience some of its most prosperous years. With this confidence and energy, Americans led themselves into the 1920s with optimism, activity, and economic growth that lasted through the majority of the era. The Roaring Twenties, the Golden Twenties, the Harlem Renaissance, and the Jazz Age: all names given to this famous era. America was rich. Wall Street was successful day after day with the stock market soaring. The 1920s was a time where tradition was tried and young men and women defied the traditionalist views. Along with this young and rowdy generation was the Prohibition era. Speakeasies across America were born, and bootlegging became a career for many. Americans would not give up their alcohol to any sort of constitutional amendment creating an active and dangerous lifestyle of Americans during the night time.
African-Americans made their mark on society during these times. The Harlem Renaissance brought out true African-American art through different visual arts, novels, dramas, short stories, and poetry. Civil rights were still non-existent for the African-Americans, but many still freely expressed themselves. Some expressed themselves through music, especially jazz. The 1920s brought about the Jazz Age. Big names such as Louis Armstrong and Duke Ellington came to fame during this age of musical expression. America soared during the 1920s; it’s no wonder the era has been called the Roaring/Golden Twenties. Social life during this time was vastly



Bibliography: Collier, James Lincoln. Louis Armstrong, an American Genius. New York: Oxford UP, 1983. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. Hasse, John Edward. "The Flourishing of Jazz." Jazz: The First Century. New York: William Morrow, 2000. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. Hughes, Langston, Arnold Rampersad, Dolan Hubbard, and Leslie Catherine Sanders. "The Negro Artist and the Racial Mountain." The Collected Works of Langston Hughes. Columbia: University of Missouri, 2001. Millay, Edna St. Vincent. "First Fig." First Fig and Other Poems. Mineola, NY: Dover Publications, 2000. [ 2 ]. Millay, Edna St. Vincent. "First Fig." First Fig and Other Poems. Mineola, NY: Dover Publications, 2000. [ 3 ]. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. 43. [ 5 ]. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. 73. [ 7 ]. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. 49. [ 8 ]. Hughes, Langston, Arnold Rampersad, Dolan Hubbard, and Leslie Catherine Sanders. "The Negro Artist and the Racial Mountain." The Collected Works of Langston Hughes. Columbia: University of Missouri, 2001. [ 9 ]. Hasse, John Edward. "The Flourishing of Jazz." Jazz: The First Century. New York: William Morrow, 2000. 28. [ 10 ]. Collier, James Lincoln. Louis Armstrong, an American Genius. New York: Oxford UP, 1983. 32. [ 11 ]. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. 108.

You May Also Find These Documents Helpful

  • Better Essays

    Hughes, Langston. ""The Negro Artist and the Racial Mountain" (1926)." Welcome to English « Department of English, College of LAS, University of Illinois. 1926. Web. 25 Oct. 2010. .…

    • 3073 Words
    • 13 Pages
    Better Essays
  • Satisfactory Essays

    The Harlem Renaissance was a time of explosive cultural and intellectual growth in the African-American community. During this time in the 1920s and 30s, we saw not only the birth of jazz, but we also heard the voices of the African-American authors and philosophers who were taken seriously by their white contemporaries for the first time in history. In your research paper, you will be focusing on one aspect of this period. You will be responsible for writing a paper that explores the detail of your topic of choice and its contributions to the renaissance. You will share your findings with the class in a formal presentation.…

    • 677 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Mla Research Paper

    • 1050 Words
    • 5 Pages

    In this critical essay, the author Leon Lewis illustrates an overview of Langston Hughes overall work and what he represents as a literary writer. Hughes is known as the “Laureate of Black America”, he has the desire to explain and illuminate the Negro condition in America. His work usually consists of rhymes and poems, and the language of the black community. Even though some of his work is appeal more towards young adult readers, his work is written to reach a wide spread of audience not just the literary privileged. Some of his influences include: Sandburg, Vachel Lindsay, and Edgar Lee Masters whose work is also directed at a broad spectrum of readers. His work addresses concerns and issues surrounding African-Americans and effects of racial hatred. Hughes always possesses an optimistic mood which reflects in his writing, he depicts racial issues in a way where he has hope in humanity and is illustrated positively. Even though,…

    • 1050 Words
    • 5 Pages
    Powerful Essays
  • Better Essays

    Locke-Hurston Comparison

    • 1498 Words
    • 6 Pages

    In a comparison of the essays “The New Negro” by Alain Locke and “The Negro Artist and the Racial Mountain” by Langston Hughes, there exists both similarities and differences. But, what are most striking are the differences between the two, especially in terms of purpose, tone, and audience.…

    • 1498 Words
    • 6 Pages
    Better Essays
  • Good Essays

    This research paper has been conducted to evaluate James Langston Hughes, a man revered for his powerful words written and vocal view, his contributions into Harlem Renaissance as well as his effects on today’s American Society. Langston Hughes was a significant presence through the Harlem Renaissance which was the coming up of all African-American arts from jazz to poetry that all dealt with hardships of the community. Additionally, he brought power to the today’s point of view, how African-Americans lived, and with simple words he made them strikingly strong and made them loud enough for the world to hear through his poems and writings. One could argue that his literary works helped shape American literature and politics significantly.…

    • 626 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Harlem Renaissance Outline

    • 1215 Words
    • 5 Pages

    Langston Hughes believed that black artists should focus on the widespread and create individual “Negro” art. He famously wrote about the period that “the negro was in vogue”. Considered among the greatest poets in U.S. history, Hughes was one of the earliest innovators of jazz poetry, poetry that “demonstrates jazz-like rhythm”. His works often portrayed the lives of middle class African Americans. Hughes was a proponent of creating distinctive “Negro” art and not falling for the “urge within the race toward whiteness”…

    • 1215 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Langston Hughes is without question the most influential member of the “New Negro Movement”(Bloom). He is the new Negro. Although Alain LeRoy Locke is, “heralded as the ‘Father of the Harlem Renaissance’ for his publication in 1925 of The New Negro… Locke is best known as a theorist, critic, and interpreter of African-American literature and art” (Carter). The “New Negro” is an intellectual, who embraces his color and culture, while contributing to his community in a positive way. Langston Hughes represents the quintessential “New…

    • 2282 Words
    • 10 Pages
    Good Essays
  • Powerful Essays

    History of Jazz

    • 1870 Words
    • 8 Pages

    It is difficult to differentiate between actuality and conceptuality in history. History is in a constant state of change and there is no one history.…

    • 1870 Words
    • 8 Pages
    Powerful Essays
  • Powerful Essays

    Langston Hughes

    • 1677 Words
    • 7 Pages

    The objective of an anthology is to preserve the best forms of an art which characterize a genre, era, or other classification. Since the works of writers such as Langston Hughes, Countee Cullen, and Jean Toomer comprise much of The New Negro, one can infer that the form and style of their works epitomize the form and direction of African American culture of the early 1900s. Anthologies not only provide particularly good examples of a certain artistic discipline, but also contain powerful insight as to the impact and interpretation of the works. The New Negro presents African American literary works through the lens of the historical trivialization and stigmatization of African American culture in the face of tremendous hardship, and also proposes an empowered African American culture, which embraces its heritage as a result. The New Negro prints poems and short stories which emphasize the struggles fo African Americans, and highlight their perseverance, alongside imposing illustrations of traditional African artwork. The juxtaposition of these sophisticated modern social commentaries and tribal style drawings attempts to fuse these pieces of African American society into one black identity. This combination reaffirms that the identity of African Americans is multifaceted, and is ineligible for truncation into “primitive,” form (Locke 19). It acknowledges that there exists a junction…

    • 1677 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Langston Hughes’s “The Negro Artist and the Racial Mountain,” as quoted by Hilton Als in “The Sojourner,” contains a passage acknowledging that he and his friends “know we are beautiful. And ugly too”. Here, Hughes proclaims an idea that transcends the boundaries of race and language - the pride in having survived through generations of institutionalized pain. Hughes is proud of his black identity not despite the world devaluing his blackness, but with the knowledge that this devaluation has not broken his spirit. He acknowledges that his life does not come from a lineage of people who have had easy lives, but that this does not need to define his individual existence. Hughes describes a state of being “free within ourselves,” a personal acceptance that allows him to see himself as beautiful even while the world insists he can only be ugly.…

    • 576 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Langston Hughes famous essay, “The Negro Artist and the Racial Mountain”, is an article over racial walls in an artist’s life. This article was written in 1926. He starts off with the phrase an artist expressed “I want to be a poet, not a Negro poet.” He takes this statement and explains more of why the artist spoke these words. Langston Hughes felt downhearted about this comment.…

    • 637 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    The author wishes to express sincere appreciation to Professor XXXXX for his assistance in the…

    • 1850 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    A "Creative Writing" Essay

    • 1192 Words
    • 5 Pages

    I will first be giving to you, my analyzation of the short poem, titled, "First Fig", written by author, Edna St. Vincent Millay, who was born in the year of 1892, and died in the year of 1950.…

    • 1192 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    The Langston Hughes Effect

    • 1354 Words
    • 6 Pages

    Miller, R. Baxter. The Art and Language of Langston Hughes. Lexington, KY: The University Press of Kentucky, 1989…

    • 1354 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Jazz History

    • 1028 Words
    • 5 Pages

    DeVeaux, Scott. "Constructing the jazz tradition: Jazz historiography." Black American Literature Forum. Vol. 25. No. 3. St. Louis University, 1991.…

    • 1028 Words
    • 5 Pages
    Good Essays