In this essay, a visual analysis of the difference and similarities between two Western art paintings and how the artists' use of composition, outline, mimetic, intrinsic and other elements of design bring about its visual effects. The paintings are a colorful representation what seem to be high ranking soldiers in uniform.…
|SCHEME OF WORK : |A2 Course: Art and Design |Specification: Fine Art Edexcel | |ACADEMIC YEAR 2009- 10 | | | | | | | |…
I have selected these exploration works for best representing and expressing my theme, whether it be the vulnerability of summer or the confidence of freedom. This is reflected in the position of the model’s form and postions in the photographs and the use of gestural, lineal shapes of the drawn women in my 2D works. The explorations of watercolour painted backgrounds on Potential Direction #1, #2 and #3 is contrasted against the gloomy and smooth, navy blue figure and the white pearl wash over the photo in Potential Direction #10. The brightly coloured and patterned wash over Potential Direction #11 and #12 reflects the opposite side of this, forming the basis of the overall artworks.…
An artist can create art work through a creative process. An element of this process is critical thinking. Artists’ creativity process begins with seeing. It then goes from seeing to imagining and from imagining to making (Sayre, 2009). This essay will provide an explanation of artists’ roles. The essay will also include two chosen works of art, one of which embodies the role of the artist and the other holds symbolic significance requiring the application of iconography.…
The general topic of “All the Silks of China” is economic rise and fall of the Chinese Empire as a power in the Indian Ocean trade system (317). The central question is, “Why did China, when it was on the verge of a hegemonic role, withdraw from the Indian Ocean trade system(322)?”.…
THANK YOU all for being here this brisk March afternoon. I’d like to thank the GRAM for the invitation to speak in conjunction with such a wonderful exhibition, and especially Jean Boot for all of her diligent coordination on my behalf. (There are 3 parts to my presentation. First, a virtual tutorial on the process of screen-printing; secondly, a discussion of the formal and conceptual potential inherent to printmaking, and the way in which Warhol expertly exploited that potential. Finally, I will conclude with an actual demonstration of screen-printing in the Museum’s basement studio.) In coming weeks, you’ll have an opportunity to hear much more about the cultural-historical context for Andy Warhol’s work from two exceptional area scholars, beginning next Friday evening with a lecture by my colleague at GV, Dr. Kirsten Strom, and on _______ Susan Eberle of Kendall College of Art & Design. As Jean indicated in her introduction, I teach drawing and printmaking at GVSU. In other words, I’m approaching Warhol’s work very much as a studio artist. As a printmaker in particular, I’m predisposed to note the large degree (great extent?) to which the innate characteristics of the medium – in this case screen-printing - enable and inform the meaning of Warhol’s work. At the outset of each printmaking course I teach at Grand Valley, I provide students a brief overview of the social history of the print; I divulge its rich heritage in the service of dispensing and preserving our (collected cultural discourse, from…) verbal and pictorial languages, knowledge and history, cultural discourse, from ancient scripture to textile design to political critique. In addition I cite the formal qualities specific to the print – multiplicity, mutability, and its recombinant capabilities. I open with this background as a means of framing the work students will produce in the course. I’d like to provide a similar overview here, as a means of framing the work of Warhol, which is so richly…
I gain clarity in my works by visualizing the problems and objectives through a series of moving images or short films as a result of my imagination. Visualizing my objectives allows me to take a consumer's perspective and gain insight on how my work may be interpreted. The solutions I gain from my imagination will determine what medium I use to create the final product. Whether the medium used is a short motion graphic, photography, hand-drawn illustration, or the physical product itself, every aspect of a project is critically examined to enhance the experience. Thorough research is also reflected in how the graphic design such as colour, typography, and composition weave back to support the story being…
put the drawings into a book that I called, “On the Structure of the Human Body”. Once the…
The Arts and Crafts Movement began in the last decades of the 19th century. It was developed by the ideas and views of William Morris who was inspired by John Ruskin. William Morris was a dynamic and multi-talented man. His name is “indissolubly linked to wallpaper design” (William Morris & Wallpaper Design, [sa]). All his designs were made by hand and not machines because Morris believed that “the tastelessness of mass-produced goods and the lack of honest craftsmanship might be addressed by a reunion of art with craft” (Meggs and Purvis 1998:179).…
The Oxford dictionary states a drawing as 'the formation of a line by drawing some tracing instrument from point to point of a surface; representation by lines; delineation as distinguished from painting...the arrangement of lines which determine form.' So, by following this rule I have selected two drawings, one contemporary and one historical to compare. I will be looking at how the time such developments in technology has influenced the artists and how we now draw or produce drawings. I have chosen to look at M.C. Escher’s piece ‘drawings hands’ (as my 20th century drawing) and Ramon Bruin’s work ‘The Twins’ (as my 21st century drawing). They both enjoy playing with perspective and creating illusions to manipulate the viewer’s eye.…
Throughout the process of exploring mark making, different media’s and styles have been incorporated to develop a personal style. I have created this by researching different techniques and styles from a range of artists, both famous and non-famous artists such as Bridget Riley, Victor Vasarely and Pablo Picasso.…
Today’s modern world is often complex, colorful, noisy and fast-paced. When I am engaged in art, I frequently look for works that allow me to escape from my hectic lifestyle. Clean lines and use of space appeal to my senses and calm me. Sometimes, what is not stated says more than what is stated.…
The artwork I made for this self portrait project incorporates two approaches of both collage and drawing. It shows a composition of these massive figures of me. And each of them is making a different gestures. Composition is one of the most powerful elements that contribute to build my piece. This is an asymmetrical composition because it has similar visual weights in two sides. Figures in both two sides are filled with decorate tapes, each of them has different pattern. They all come together and create a sense of harmony in entire drawing. The overall composition is arranged in a horizontal view. A large figure placed in center is the focal point, because it only has a black outline but no color painted in it. Made this figure stands out first in the image.…
Images, moving or still, candid or planned; art that surrounds us on the daily, yet art that still manages to go unappreciated. I come from the curls of numerous films and hundreds of clicks resulting in JPEG files used to obtain perfection. I come from a world of vivid colors and grainy textures. Everyone believes I have been blessed with artistic eyes, I wouldn’t really say that. But I believe that, due to my love for capturing images and moments, I see the world in a different way. I see colors, angles and everything in between.…
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