The Pinch of Poverty Comparison to the Crucible

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Title: The Pinch of Poverty
Type of resource: Painting, Artwork
Source: T. B. Kennington
Date: 1889
Audience: The viewer intended for this painting is the general public. Purpose: The purpose of this artwork is to entertain and inform. Understanding of Belonging
There are four main individuals contained within this painting who are situated in the foreground. A mother is sitting on a small stone wall of what looks to be someone’s yard. On her lap is a baby wrapped in a sling that is enclosed around the woman’s body. To the left of her is a young boy. He is leaning into her which shows that they have a close bond. The three look as though they are there to encourage the little girl on the right who is selling flowers. She is more than likely the daughter of the seated woman and a sister to the little boy and baby. It is a gloomy looking day as the pavers she stands upon are wet and there is a dull grey sky in the background. The mother is staring off into the distance while the young boy admires his sister as she holds her daffodils. The infant on the lady’s lap appears to be fast asleep. From all of these factors it can be concluded that they belong to one another as a family. How meaning is Shaped by the Composer

The title of this artwork, ‘The Pinch of Poverty’, plays a key role in describing what the painting is actually about. Body language, facial expression and costume also contribute to shaping meaning. ‘The Pinch of Poverty’ suggests that the people within the painting are living in a time of destitution. Their clothes are drab and darkly toned which indicates that they were not a family of wealth. None of the characters in the image are smiling which indicates that they are not happy with their current situation. However, even though their setting seems somewhat negative there is that beam of optimism reflected through their actions. The mother and her two young children are there supporting her eldest child. They are situated behind the small girl...
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