The Moral Decline of Macbeth Is Depicted in the Language Used. Shakespeare’s Language Provides Imagery and Insight Into Macbeth’s State of Mind.

Topics: Macbeth, Mind, Gender role Pages: 3 (935 words) Published: March 18, 2011
*“Lady Macbeth’s ambition, like that of her husband, leads her to an unnatural, paranormal realm of witchcraft, insomnia and madness. But unlike Macbeth she cannot deal with the evil she has unleashed.” Discuss*

Shakespeare’s final play, Macbeth, tells us a story of a couple’s deadly ambition which corrupt, and ultimately, fix them in a world of evil. Lady Macbeth’s ambition, though, cannot be measured to Macbeth’s, because the way their ambition manifest themselves are completely different. The idea of men and women roles in the play also had a heavy part in the actions of Macbeth and Lady Macbeth; they portrayed the roles and were made to act like so. However, both Lady Macbeth and Macbeth cannot deal with evil; they together succumb themselves to their conscience and guilt – and then to the inevitable fate of death.

Lady Macbeth’s ambition is great; she disbeliefs conscience and has no debate between her choice between good and evil. She definitely had the “illness” (Act 1, Scene 5), unlike Macbeth, to act on her ambition – she had no doubts, misgivings or scruples. Lady Macbeth may equal with Macbeth’s ambition, but she is more ruthless and determined than him. “Come, thick night… that my keen knife see not the wound it makes” (Act 1, Scene 5). Lady Macbeth’s biggest flaw, perhaps, was just the simple fact that she was a woman. Although she had tried to rid her of her feminine attributes “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty” (Act 1, Scene 5) there are sections throughout the play that we can see the “woman” side of her come back – which foreshadows that it’ll backfire on her much harder than expected.

Lady Macbeth is strong and thinks that she can become a “man”; but in the end she succumbs to her guilt and conscience. When we first see her with Macbeth, we depict her as a “fourth witch” because she chants the same lines “Great Glamis! Worth Cawdor! Greater...
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