The Lost Boys by Joel Schumacher exploits some conventions of the horror genre yet also inverts others. Like in any horror film, they come with the creaking doors, intense music and desire to solve all mysteries including the unexplained and the film, The Lost Boys doesn’t fall short. This vampire filled, popcorn flick includes many of the standard features of the horror genre but also includes inverted and reversed some conventions.
To start off, the most obvious aspect of the horror genre that is in this film is vampires as they are a supernatural creature. The Vampires in the film are what you would expect; blood-sucking beasts with their sharp teeth, which sleep upside down, cast no reflection and who are afraid of sunlight. But that’s not all of it.
There is an evil leader in the film, who is Max but this isn’t evident until the end of the film because he was seen as an innocent man from Lucy’s eyes which meant she was constantly defending him. Also when he was invited over by Lucy, he made the man of the house, Michael invite him inside which in a way, hide his true identity. Therefore when the Frog brothers conducted a series of tests trying to prove that he was a vampire, they all indicate that he was human.
The music in the film is strange, circus like with an evil twist at times. A good example of this is at the start of the film, when the lost boys are at the carnival on a merry-go-around and there is circus music playing which slowly changes into a more sinister sound with a thump in the background because of the change of scene. By fading different types of music, it creates a more suspenseful mood. Throughout the film, there is also non-diegetic and discordant music which forms dramatic effects throughout the film.
As well as following some of the usual characteristics of a horror film, Schumacher inverts and reverses some conventions. The most inverted convention that stands out, is how The Lost Boys explores notions of family that...
Please join StudyMode to read the full document