Imagine it all the rules you were raised to follow, all the beliefs and norms, everything conventional, shattered. Now imagine It Clara Bow, the It Girl. The epitome of the avant-garde woman, the archetype of the flapper, was America's new, young movie actress of the 1920's. Modern women of the day took heed to Bow's fresh style and, in turn, yielded danger to the conventional America. Yet Bow's contagious and popular attitude came with its weaknesses - dealing with fame and the motion picture industry in the 1920's. Despite this ultimate downfall, Clara's flair reformed the youth and motion pictures of her time.
Dubbed by Fitzgerald as "the quintessence of what the term flapper' signifies," Clara Bow served as the model for all flappers. A flapper was the new woman; attractive, sassy, "worldly-wise, and briefly clad." The flapper took on an impish and tomboyish, at lead for their time, attitude. They danced on tables, rendering the recklessness of the new youth. But modern women proved to be a danger for the conventionalism of America. They influenced the change on women's rights, what was considered moral, and what was considered appropriate for women. These issues had previously been for making a timid woman; upon the coming of the modern woman, these issues made for a modernist female.
Clara Bow's fame did not leave her nature tainted, in a sense. She did not become spoiled or uppity. She remained rather self-less and ignorant to fame and those in its power. Her impudent attitude never faltered; she continued to live as the "chewing-gum-smacking eight-grade drop-out kid," unaware of convention. Hey psychological welfare, though, was greatly affected. She was institutionalized, slit her wrists and throat, and eventually became the embodiment of an actress-gone-bad; booze, men, gambling, drugs, and insomnia.
Clara's experience with the motion picture industry gives us a picture of what it was like in the...