The Impact of Music in the Infamous Shower Scene of Alfred Hitchc...

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The Impact of Music in the Infamous Shower Scene of Alfred Hitchcock’s Psycho

By | December 2012
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Alfred Hitchcock’s Psycho of 1960, a film in which Hitchcock himself wanted to stop filming due to his own unhappiness with its progress, has become one of the most iconic films of the 20th century. The film has been analyzed, critiqued, and admired by professors, students, critics, and fans alike; “it is probably the most closely and most seriously scrutinized film ever made,” (Wierzbicki, 14). Psycho is a film in which many people hold in their repertoire if not for its entirety, at least for the acclaimed roughly 47 minutes into the film, commonly referred to as “The Shower Scene”. The question lies: Is this less than sixty seconds long scene more effective with or without music? While creating what would ultimately become his most famous work and a known filmed masterpiece, Alfred Hitchcock felt as though Psycho was a disappointment. Psycho was filmed on a low budget and with very little confidence from its director. He was not too thrilled with what his concept was becoming and felt as though he might as well quit filming it as a movie and just make it into an hour long television show. When the film’s score composer and collaborator of Hitchcock, Bernard Herrmann heard of this he told Hitchcock to go away for a while and he would work on the score, then when he came back they could review the film together with the score and hopefully, he would be more enthused about the direction Psycho was going in. Hitchcock agreed but, left specific guidelines to Herrmann telling him to compose absolutely no music for the shower scene. Supposedly, due to the scene’s, “… intensity and chilling starkness…coupled with a relentless pacing in the editing… Hitchcock was convinced that the scene should be handled without music,” (Wierzbicki, 20). Of course, Herrmann, who was just as strong-willed, stubborn, and controlling as Hitchcock did not abide. When Hitchcock came back to review the newly composed, all strings score composed by Herrmann he was in for a surprise....