The basic structure of the poem exemplifies this notion that technology has contributed to this fragmentation of society. Critic Juan A. Suárez argues that Eliot tries to mimic a sound recorder in his writing style in The Waste Land. Connecting Eliot’s poem to sound montages created by experimental artists in which various sounds from radio broadcasts and recordings were spliced together, Suárez writes that “Eliot’s poem itself is based on zapping through a sort of prerecorded literary archive which seems to be kept on the air at different frequencies” (757). The Waste Land’s structure is rooted in machines. The technology subverts the established social order; the frequencies of the high and the low are recorded side by side without any clear differentiation. As Suárez notes, “Once the channels are open they carry any and all sounds […]” (764). The voices of kings are equated with those of the working class; modern technology has... [continues]
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(2010, 10). “the Human Engine Waits”: the Role of Technology in T.S. Eliot's the Waste Land. StudyMode.com. Retrieved 10, 2010, from http://www.studymode.com/essays/The-Human-Engine-Waits-The-Role-453385.html
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