A Midsummer Night Dream is a play written by the late William Shakespeare. This play is about a love triangle how one loves the other when the other does not like them until finally it all ends in a resolution, as they have a secret fairy world looking over at them, this play is almost like a mix between the fantasy world and the real! Bottom is one of the characters in this play, and in this play Bottom is a humorous and confident character, although being intelligent in other fields Bottom is not a very clever or educated man. Bottom and his fellow workmates are named the “rude mechanicals”, unsophisticated men but rather great tradesmen, working not with the mind but with the hands, though Bottom may be labeled a “rude mechanical” in many…
I am Kaitlyn Luepann and I am portraying the fairy attendants Peaseblossom, Bottom, Cobweb, and the “jester fairy” Puck From William Shakespeare’s play, “A Midsummer Night’s Dream.” I will be portraying all these characters as one character with characteristics of all four. The ways I am going to adapt the characters that I am portraying are for me to have a witty sense of humour, yet have common courtesy and manners, and have respectful body language and a humourous tone of voice because the three fairy attendants are very respectful, but Puck is humourous. How I adapt all of the fairies body language and tone of voice from the play to the modern day is to be a respectful Starbucks worker, who cracks jokes in a funny manner while customers…
3. SYNTAX: (A Midsummer Night’s Dream) the syntax of a play is the way peasants and royalty talk differently. Craftsmen are ordinary folks who just talk plainly without any special rhythm that I mention in later paragraph about style, and they only talk fancy like royalties in their acting. The example of this Bottom and his pals talk about the play they want to perform in Act 3 scene 1 line 9-12: What Prose said makes sense in this scene; because his conversation is what modern people like us would say now. When mechanicals, however, perform the play Pyramus and Thisbe, their lines are spoken in rhymed verse like royals spoke.…
When they are talking to the duke he is cold toward Lysander and makes it clear he wants to marry Hermia. Then during their escapades in the woods, Demetrius is enchanted to love Helena instead. He disregards the time he thought of marrying Hermia and only has eyes for Helena. When Egeus and Theseus’ party find the two couples in a meadow Demetrius states to the duke that he was a fool to think he loved Hermia. Again Egeus being betrayed helps bring the different lovers…
Hermia is supposed to marry Demetrius, but she is in love with Lysander. If she does not marry to her father’s consent, she can become a nun or get killed. This shows how twisted the law was…
(Shmoop, “Psychoanalysis”). His studies have been used to dive into characters, plot, and even authors of many different genres and mediums. In Shakespeare’s A Midsummer Night’s Dream, Freud’s theories of the id, ego, and superego can be applied to many actions and situations between various characters. Looking through the lens of freudism allows the audience to understand more about themselves by relating to the characters and why they do what they do. It allows them to find these desires, defences, and consciences within themselves and take a new perspective away from the encounter. In a way, it satisfies their curiosity and prompts them to higher thinking, which was one of Shakespeare’s intentions in writing Dream: to get the audience to question what they have…
Lysander and Hermia, both young and well-off, are unpermitted, according to the Ancient Privilege, to wed each other without the approval of Hermia’s father, Egeus. However, not quite prepared to end their relationship, the lovers very ambitiously and suddenly run into a nearby forest. They have done so without considering the consequences, and as a result, find themselves lost. Lysander suggests this, when he says, “Fair love, you faint wandering in the wood, and in truth, I have forgot our way,” (II. ii. 41-42). Later in the play, the duke of Athens, Theseus, overbears Egeus’ will, and insists Lysander and Hermia wed each other on his marriage day. Hermia, in quickness and happiness, agrees, without considering her father’s reaction. By doing so, she may be sacrificing her relationship with him. In both situations, the young Athenians pay no attention to the consequences of their relationship, which supports the idea that love ignores all…
Demetrius is more of a cold soul, but that is transfigured in the final bits of the play, and Lysander is the hopeless romantic of the play. He spoils Hermia with little knacks and treats and even sings to her at her window sill in the night “Thou hast by moonlight at her window sung/ With faining voice verses of feigning love[...]” (1,1:31,32). Though it is quite obvious that the two men are tremendously different, there also are some similarities, more so near the end of the play as opposed to the beginning/middle. Both men find a partner in which they marry. In the final act, Lysander and Demetrius lock away their differences, and resolve the conflict between the…
The conflict between relations of love is developed further as Helena's love for Demetrius is not returned to her but to her best friend Hermia. Shakespeare shows how the platonic love between Helena and Hermia suffers due to Helena's obsessive love towards Lysander and Hermia's romantic love for Lysander.…
Helena’s love for Demetrius can be best described as loyal and unrequited. Helena begins her first soliloquy by telling the audience that “Love looks not with the eyes, but with the mind and therefore is winged Cupid painted blind”. Helena feels that Demetrius’ love for Hermia is superficial and based only what he sees; her beauty. Although, Helena thinks that she is just as beautiful; her insecurities make her feel jealous of Hermia, even though Hermia wants nothing to do with Demetrius. Demetrius does not even acknowledge Helena but she refuses to give up on him regardless of how he treats her. She will do anything to make him realize that she deserves to have his love. Helena’s love for Demetrius gives her the impulse to behave in an immature manner when out of spite and desperation she tells Demetrius that Hermia and Lysander are going to run away to get married in order to get him to despise them both. Helena believes that her act on love will get Demetrius to see that she has been worthy of him all along and her honesty will be enough for him to fall in love with her once again.…
LYSANDER, in love with Hermia: Lysander’s relationship with Hermia shows the theme of the difficulty of love. For example, he cannot marry her openly because Egeus, her father, wishes her to wed Demetrius, and when Lysander and Hermia run away into the forest, Lysander becomes the victim of misapplied magic and wakes up in love with Helena.…
Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. She does not want to marry Demetrius even though her father has pretty much told her it is that or death. She already know that if she against her father willing to marry Demetrius, she will be punished, she might be killed but she takes the risk and…
Analysis in A Midsummer Night's Dream “O, I am out of breath in this fond chase!” (Act 2 vs.81)…
I grew interested in the play’s conflict, since it seems modern day typical. I, for one, enjoy watching love stories and dramas. This play, served just that purpose. Reading of the avenged lover’s, Hermia and Lysander, plan to run into the forest to marry seemed likely to be seen on a Wednesday night, 9:00PM, drama series. Which, I absolutely love! Then, the play takes a twist from reality. Helena acquires information related to Hermia and Lysander’s plan to marry, which provides her initiative to tell Demetrius. She intends on winning back the love of Demetrius. The two of them go out in search of the Lysander and Hermia, and find that they’ve all landed themselves in a forest filled with “fairies.”…
Dreams are used throughout A Midsummer Night’s Dream by William Shakespeare to strengthen points and reveal important aspects of both the play and the characters within. Often linking different periods, dreams are a prevalent and important aspect of the play that commonly reveal important plot characteristics. Therefore demanding attention by the reader and analyzer. Shakespeare is trying to show his readers the thin line between dreams and reality by foreshadowing future events through dreams, providing a link to reality, and revealing how reality reflects perspective and circumstance…