“Once upon a midnight dreary, while I wondered weak and weary, over many a quaint and curious volume of forgotten lore, while I nodded, nearly napping, suddenly there came a tapping, as of someone gently rapping, rapping at my chamber door- ‘t is some visiter,’ I muttered, ‘tapping at my chamber door-only this and nothing more. ‘”. The rhythm varies to allow different unique words throughout the poem flow better, and it’s very important to help the repetitive “nevermore.” The rhythmic pattern suggests the sameness of the narrator’s days and evenings. Edgar Allan Poe has had a big influence on many contemporary writers and how they use certain styles and methods, also on how they develop their themes. Other contemporary writers have looked towards Poe’s methods to help them create their masterpieces. They derived symbols, tone, and diction from him and utilized it. Writers like Stephen King and Horatio Quiroga are the main ones who look to Poe.
When writing Alone Poe writes, “the mystery that binds me still: from the torrent, or the fountain from the red cliff of the mountain, from them the sun that round me rolled” (Alone). Poe’s elusive writing skills and use of words set him aside from other writers of his time. He tries to explain that one stormy night changed his life for good. The use of torrent and red cliff set aside the exercept because it lets the reader visualize the red cliff that helps bind him to his horrible nightmares, that the pain of the sun rolling over him holds him still and burns him all over. We can see Poe’s styles being utilized in the writing of Horatio Quiroga when he write in The Decapitated Chicken, “nevertheless, their souls had not found peace. Their daughter’s least indisposition now unleashed – because of the terror of losing her – the bitterness created by their unsound progeny. Bile had accumulated for so long that the distended viscera spilled venom at the slightest touch.” By using “-“in this part of the short story Horatio use of diction helps add a dark ominous mood. By using terror and bitterness he helped so how much pain and loneliness they actually feel. You can tell that he derived the tones and use of diction from Poe because they both use dark and angry words to get their meanings across to the reader. “From childhoods hour I have not been as others were: I have not seen as others saw: I could not bring my passions from a common spring” The use of “I” in this helps us, the reader, know that he is talking about himself and that he is putting himself on examination and telling us that not once in his childhood did he ever feel like a child or play like one. That he was an outcast from the very beginning which foreshadowed his whole life. In The Decapitated Chicken, “Formerly they had been restrained by their mutual failure; now that success had come, each, attributing it to himself, felt more strongly the infamy of the four misbegotten sons the other had forced him to create”. By Quiroga using “restrained” and “infamy” he showed how they broke from the restraints of their normal life, that they broke each other oppression to achieve “infamy” that had “misbegotten” sons. Once again, in The Raven:
Will I learn to forget Lenore? “Nevermore.” Will I find Balm in Gilead? “Nevermore.” Will we be joined in heaven someday? “Nevermore.” Leave me alone! Go! Go! “nevermore.” And the bird is still there-will I ever be free of it? “Nevermore!” The point behind it of course is irony, the raven has no clue as to what its three syllables mean, and of the horrid pain and suffering it’s bringing to the narrator. It merely mimics what it has been taught by its master. Although it seems that the narrator knows this, yet his fears lie with the depressing reply. He’ll never be free of the grasp of pain and sadness, although it’s his ultimate decision. In The Decapitated Chicken:
So Bertita celebrated her fourth birthday,...