The Crucible, Perfume, Rhapsody on a Windy Night

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How do composers show that belonging can emerge from connections with people, places and communities? In you answer, refer to your prescribed text and at least TWO related text of your own choosing. An individual’s experience of acceptance and inclusion are required values in the human nature where one’s sense of belonging is an imperative factor. This could be created from connections emerging between people, places and communities where perception and ideas of belonging or not belonging vary. This is shaped within the cultural, historical and social context where the aspects of belonging in terms of notions of identity, relationships, understanding and acceptance are created. The core text, The Crucible, a novel by Arthur Miller, related texts Perfume: The Story of a Murderer by Patrick Suskind and Rhapsody on a Windy Night, a poem by T.S. Eliot, reveal the characters’ choices to belong and not to belong and the barriers which prevent a sense of belonging within the people, places and communities. The Crucible, set in 1692, focuses on the historical context of the witch-hunt occurred in Salem which is also parallel to the McCarthyism era, where both period’s social stability was challenged. Miller used the Salem witch trials as a metaphor of the McCarthyism where he used the play to criticize America’s social compliance and mass hysteria which links to Salem’s desire for power and domination through the social hysteria. The play shows that people often prey on those who are considered outsiders, particularly when the accuser is motivated by greed and fear. As Danforth demands the ‘truth’ from Mary Warren in Act 3, “Has he ever threatened you?”, indicates that he is searching for the answer that will satisfy him, isolating Mary Warren’s answer possibly because she is a child who is easy to manipulate. “But all organization is and must be grounded on the idea of exclusion and prohibition, just as two objects cannot occupy the same space” denotes the society...
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