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Even from the first few scenes of ‘A Streetcar Named Desire’, we can see that Blanche DuBois is a complicated character; throughout the play she ignores warnings and breaks moral codes, and it is this that leads to her demise of character.…
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There are people in this world that one can completely relate to and befriend, and then there are people that one completely abhors. People who seem to embody everything he or she despises, that makes one’s stomach sink. Fragment Yet in the end, it is often those people that one has the most in common with. Don’t end with preposition. Grabber is somewhat weak and sophomoric. You can do better with something more complex and interesting. In Tennessee Williams’ A Streetct Car Named Desire, two characters, Blanche Dubois and Stanley Kowalski, stand off against one another as they fight over the attention of Stella Kowalski, Blanche’s sister and Stanley’s wife. But no matter how hard they try to demonize the other, they only succeed in showing just how similar they are. Their contrasting actions and feelings only serve to further illustrate how they are one and the same. Despite their hatred of one another, Blanche and Stanley serve as foils for one another throughout the play, and thruspelling their colliding actions reveal how … finish thesis. Introductory paragraph on the whole is uninspired, a first draft. You can make this more complex.…
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In the commencement of the play, Blanche is quickly described as a damsel in distress. She is portrayed as a wealthy woman “in a white suit with a fluffy bodice, necklace and earing of pearl, white gloves and hat…” (5). She resembles an embellished white moth. The fact that she is forced to live with her younger sister Stella and her domineering husband truly shows that Blanche is in a truly desperate situation. Her overall character is depicted as a traumatized woman that is in complete desolation. Experiences such as witnessing her family on a “...Long parade to the graveyard” (21). Being forced to live with your family until their tragic demise would emotionally and mentally torment anyone. She lives inside of her own world in which she…
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The primary noticeable difference between Stanley and Blanche are the worlds that they both come from. Blanche believes in an illusionary world of which the upper and lower class people are separated, education is valued, races are separated and purity is preserved. In contrast, Stanley comes from a patriarchal society, which is morally corrupt, sinful and amoral. In the opening scene, the stage directions “her expression is one of shocked disbelief. Her appearance is incongruous to this setting” conveys her difference in class and how Blanche already does not fit into this new world foreshadowing the end of the play when Blanche is pushed out of the new world. The dialogue “ they mustn’t have- understood- what number I wanted” highlights Blanche’s confusion as she arrives at Elysian Fields, which suggests that Blanche is entering into a world that she does not belong in. The use of the derogatory terms “negro”, “brown” and “one white and one coloured” all suggest that unlike in Blanche’s illusionary world, Stanley’s world, New Orleans does not separate races instead they intermingle. Throughout the play there are many references to animalistic qualities. Blanche is represented, as a “moth” of which is fragile and attracted to light, which leads to danger and death. Stanley is compared to a lion, a predator of power and strong…
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Willams successfully uses the imagery of animalism to exhibit stanley's primative actions, allowing us to see more of a villain in his character. He creates an intense atmosphere whereby Blanche is seeing the night as, "filled with inhuman voices, like cries in a jungle...", proposing Blanche's distant mind from sanity but also the ambience that Stanley may have formed this tense atmosphere which surrounds the two characters. Stanley displays primative behaviours by biting "his tongue which protrudes between his lips", which gives use the imagery of a snake observing his prey before attack. Stanley's connotations with primal actions are always interperated with him being the predetor, attacking the prey. Stanley attacking Blanche and raping her also gives us the impression that he is taking over her body; like he is marking his territory. The "rough house" treatment of Stanley towards Blanche suggest how the predetor is trying to attack, whislt the prey resists, fearing for their life. It may be interperated how Stanley wants Blanche to be resistant as it makes his victory more satisfying. .Williams also uses the setting of the bathroom to depict Stanley's victory over Blanche. The symbolism of the bathroom in previous scenes of the play was used as a sanctuary for Blanche to…
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The parallelism between death and desire is first exhibited promptly after the commencement of the play. In the play, an actual streetcar named “Desire” takes Blanche to the Kowalski’s. In Scene One, she explains to Eunice “they told [her] to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at–Elysian Fields!” (Williams 6). William’s diction Desire, then Cemeteries, then Elysian Fields alludes to the corresponding sequence: sex, then death, then the afterlife. This seemingly linear progression blatantly proposes that desire ushers death.…
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Streetcar occupies a specific place and time in the American literary canon. Blanche finds herself adrift in the tough, yet endearing world of New Orleans in the mid to late 1940s. In Stella’s working class neighborhood, traversed by a streetcar named Cemeteries and a streetcar named Desire, there is a sort of…
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Throughout the play, Blanche is living a lie and existing in a fantasy. Blanche DuBois, who is lost and confused, lies to herself through the entire play. At the beginning, Blanche lies to her sister, Stella, about taking a break from her school teaching job, when in reality, she has…
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Blanche grow up on a large estate along with her sister, although unlike Stella, Blanche believes that her background and statues, which she no longer has, will gain her the control she so desperately seeks. But, the character Stanley gains control over her because of his has financial income which…
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In summary, Blanche forecasts a dainty but highbrow disposition throughout the story. She reveals partial truths in regards to the family fortune, her employment status and her love life. These partial truths are exactly what make her character so intriguing, not to mention the closing of scene three’s discussion with Mitch and the discovery that they both have lost a loved one. This is the second time Blanche addresses her widow status, however, at this point, fails to provide the details of this tragedy, leaving the audience with an unresolved yearning to discover what is going on with…
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The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
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Blanche seems eager to point out Stanley's faults to her sister whenever the opportunity arises. When Stella supposes that perhaps, Stanley is “common”,…
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In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche and Stanley are well-known, as opposite characters with symbols of conflicting deals, but these two characters also have many similarities with each other. For example, Stanley and Blanche both have a well-built desire for love. Stanley, has no need to seek for love because he yearns, his marriage life with his wife Stella. Blanche, on the other hand, is seeking for respect and love for a new husband, since she lost her last husband. Also, Stanley and Stella are a couple that appears to be loving and compassionate with each other, until Blanche comes for a visit to New Orleans to live with the couple. With conflicting issues dealing with Blanche and Stanley, it causes an unhealthy, abusive problems with Stella and Stanley’s marriage.…
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When the play begins, Blanche is already a fallen woman in society’s eyes. Her family fortune and estate are gone, she lost her young husband to suicide years earlier, and she is a social pariah due to her indiscrete sexual behavior. She also has a bad drinking problem, which she covers up poorly. Behind her veneer of social snobbery and sexual propriety, Blanche is an insecure, dislocated individual. She is an aging Southern belle who lives in a state of perpetual panic about her fading beauty. Her manner is dainty and frail, and she sports a wardrobe of showy but cheap evening clothes. Stanley quickly sees through Blanche’s act and seeks out information about her past. The notion of death is apparent through Blanches maiden name, Grey, which suggests bleakness and unhappiness. Indeed we are introduced to the fact that behind…
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Blanche and Stanley come from two very different upbringings. Blanche comes from a very wealthy upbringing, being raised in a giant Southern plantation. Stanley grew up with the poor, immigrant family who had to work for everything they had. Blanche often uses the derogatory term ‘Pollack’ for describing Stanley to refer to him as common or inferior. She then contradicts herself when she says “We are French by extraction. Our first American ancestors were French Huguenots” (Williams 31). Blanche seems to think her ethnic origins make her better than others, and uses it as a point of pride. She often during the play is seen showing her self-proclaimed superiority towards all of the other characters. In the film, Blanche is attracted to Mitch because…
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