Preview

The Art of Theater

Good Essays
Open Document
Open Document
867 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Art of Theater
The Art of Theater

Every country has a specific form of entertainment for their culture. For East Asia, it is no exception; Japanese traditional theater is one of the oldest arts of the world. East Asia presents theater performances with Japanese musical ensembles; specifically the theater performances of Noh, Kabuki, and Bunraku. The Japanese believe in simplicity and show this throughout their performances. The three different theater genres are presented with different characteristics to outline their art and culture. The performers tell a story that the audience is able to relate to. Noh, Kabuki, and Bunraku all take extensive training to master the art, but in the end the performance pays off. These theater genres have been taught for years, making it one of the oldest forms of entertainment.

The first theater art mentioned was Noh; which is the oldest form of theater, dating back to the 14th century. This entertainment is marked by a masked performance; this is where the performers wear some kind of facial masks to represent the character that they are portraying. The actors move slowly and have a musical ensemble playing in the background. The ensemble consists of three drums and a horizontal flute. These instruments are known as the fue, kotsuzumi, ootsuzumi and taiko. (Activities) The only prop used on stage is a painted pine tree. This draws the audience’s attention more to the actors instead of the surrounding area. Noh Theater has been declining in recent decades due to the slowness of the performance. The Noh Theater presents difficulties in keeping the audience interested and involved in the musical performance.

Another musical drama presented by the Japanese is Kabuki. In this theater production the characters display more action. The actors do not wear a mask; instead they cover their face using white face paint. Unlike the Noh Theater, the Kabuki stage is set up with realistic scenery and props. More specifically, “the stage is



Cited: "Activities: Theater." Japanese Theater. N.p., n.d. Web. 14 Nov. 2012. . "Japanese Traditional Arts." Custom Asia Tours, African Safaris, Himalayas Travel: Golden Fish Travels. N.p., n.d. Web. 15 Nov. 2012. . Terry, Miller E. "World Music: A Global Journey - Hardback & CD Set Value Pack [Hardcover]." World Music: A Global Journey. N.p., n.d. Web. 22 Oct. 2012. .

You May Also Find These Documents Helpful

  • Good Essays

    Cloudstreet

    • 615 Words
    • 3 Pages

    Have you ever wondered where the origins of theatre began? It is a well-known fact that the earliest forms of drama were developed in Ancient Greek by philosophers interested in using entertainment for social and philosophical commentary. It is essential that young people are exposed to the earliest form of scripted drama as it provides a foundation for understanding dramatic styles and conventions which are the basis for all the theatre which followed.…

    • 615 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Through further research of the style, we found that physical theatre goes beyond verbal narrative, incorporating physical and visual elements on a level at least equal to verbal elements, it is more than simply abstract movement – it includes some element of character, narrative, relationships, and interaction between the performers, not necessarily linear or obvious. It also includes a wide variety of styles, approaches, aesthetics – can include dance-theatre, movement theatre, clown, puppetry, mime, mask, vaudeville, and circus.…

    • 646 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Kabuki was a racy and controversial change from the previous style of No. No was thematically elegant, restrained, and indicative of classical drama, while Kabuki had its emphasis on violence, music, and dramatic gestures. Kabuki began as the peoples’ entertainment and amusement unlike drama which originated in the emperor’s court. Due to its commercial success as well as the fact that it was performed by prostitutes, the government attempted to restrict and even stop this new form of drama . They believed it would have a debilitating effect on morals, so they prohibited women from performing on stage. Instead, they tried to create a new, professional class of all male actors to play the parts of the female characters. The switch had its pros and cons and its share of mixed reactions. On the positive side, it placed a greater emphasis on physical activities, such as sword fighting and acrobatics. However, conversely, it promoted and encouraged homosexual…

    • 2294 Words
    • 10 Pages
    Better Essays
  • Good Essays

    Theatre imitating life. Naturalism brought science into the game, with more electricity in theatres, removal of audience, putting them in the dark as if they were eavesdropping. Importance of everyday and ordinary. Potential tool for improving humanity by showing the wrongs. Brought in the fourth wall, analytical distance. extending the idea to the imaginary boundary between the audience and the stage. Character is more important than plot/action. The model of theatre as scientific ideas and the idea that human beings are distinguished by society, like showing the subject as a product of social forces. Playing around with that idea, like Emile Zola did in his play “Miss Julie” dropping a high class girl into a test tube with a servant (lower class) of particular type/ character and see what happens.…

    • 463 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Onibaba

    • 692 Words
    • 3 Pages

    Hand commences his exploration of traditional theater’s presence in contemporary Japanese horror by first comparing the two dramatic theatrical styles: Noh (originating in the fourteenth century) and Kabuki (seventeenth century). According to Hand, Noh is “characterized by its use of masks and stylization, and is more strictly a fusion of song, dance, and music, than its status as a theatrical form implies” (19). He continues to explain that Noh plays are centered on two characters: the shite (the masked principal actor) and the waki (who is never masked and exists to call his contrast, the shite, to stage and encourage him to dance. These archetypal characters in Noh style are alluded to in Shindo Kaneto’s 1964 film Onibaba, as the old woman, in true shite form, is masked after her encounter with the samurai, in this case the waki. Hand explains that Kubuki form is “…renowned for its theatricality: elaborate costumes, remarkable stage effects, virtuoso performers” (21). He also notes that Kabuki is unrealistic and often centers around highly stylized violence, noting “…(by working on) principles of symbolism and impressionism…These aspects of the form establish a distinct quality in Kabuki that is…

    • 692 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    17th Century Venetian Opera

    • 2781 Words
    • 12 Pages

    “theatre design.” The Cambridge Guide to Theatre. Cambridge: Cambridge University Press, 2000. Credo Reference. Web. 17 November 2010.…

    • 2781 Words
    • 12 Pages
    Powerful Essays
  • Satisfactory Essays

    Samurai Code Of Behavior

    • 387 Words
    • 2 Pages

    manorial system-economic system in the Middle Ages that was built around large estates called manors…

    • 387 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Over time these contributions have been taken and adapted to create the theatre that many people know and love today. However, unlike in Ancient Greece; there are more than two styles of theatre today and not just by the means of the theatre types, for example; a proscenium theatre or theatre in the round, but the acting styles as well, such as Naturalistic, Non-Naturalistic, Epic theatre, Absurdism etc. These are seen as a collaboration of the developments of the theatre through out the different time periods and the practitioners of different…

    • 886 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Certain gestures and moves assist to gain a sure intention and get a sure message throughout to the spectators. At one-point puppetry is used to show the grasses of the savanna flow because the wind blows growing a mystical effect. Shadows that can make an object seem large than it actually is and make something scarier than it virtually is are a prime part of this musical. Originated both in Greece or China this now Indonesian shape of puppetry is called the manner ang ku lit and makes use of flat puppets made of timber and animal conceal in opposition to a muslin display…

    • 637 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Theater Arts Final Essay

    • 1629 Words
    • 5 Pages

    There are several ways to portray a group of people and have the public believe it. Probably the most influential way to affect a person’s view on a certain group of people would be through film. Over the course of the past one hundred years, American film has subjected different groups of people to stereotyping, biased portrayals, and racism. However, these unfortunate stereotypes and the racism in film are quite covert to the public, and they tend to simply believe what they see in their favorite movies. Although there are several groups of people one can think of that have been stereotyped or attacked in some way in American film, there are a few specific groups that are prime examples of being victims to the biased portrayals in American film. These groups consist of women, African Americans, Hispanics, Asians, Native Americans, and gays and lesbians. These groups have all been wrongly viewed by the nation’s public largely in part because of their portrayal in American film.…

    • 1629 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Noh Drama Masks

    • 894 Words
    • 4 Pages

    When you think of Japanese theater, many people will think first of the Noh drama. The Noh drama has been performed for over 1000 years, is one of the world’s oldest continually performed types of theater and is the oldest of Japan’s traditional performing arts [1]. Even after such a long time the spirit of the Noh drama has never been extinguished, it is still around us in our modern lives. In this research paper I will talk about the Noh drama masks, as the masks are the soul of the Noh drama. Without the masks, most people wouldn’t realize that this is the Noh drama; the masks are very important as a symbol for the Noh drama. Besides being symbolic of the Noh drama, the masks also include much history and skill. The four topics I am going to talk about in this research paper are the history of the masks, how they were made, the different types of masks, and the changing of the expressions on the mask.…

    • 894 Words
    • 4 Pages
    Good Essays
  • Best Essays

    The word kabuki, as shown in the history of name, is a type of acting based on the arts of singing and dancing (Miyake 11). However, mixed in this display is a variety of hidden aspects such as make-up, costumes, and special effects that make a Kabuki performance unlike any other. Kabuki is a very complicated, highly refined art involving stylized movement to the sounds of instruments such as the Tsuke that takes many years to master (National Theater of Japan). Unlike Noh Theater it does not use masks, but incorporates a vast variety of styles and effects, from the realistic to the grandiosely extravagant through cosmetics (Leiter 18-22). The colors used have symbolic meanings. For example, blue usually indicates evil and red is used to express strength or virtue. Wigs are utilized to inform the audience about the characters age, occupation, and social status and are worn by all characters in Kabuki (The British Museum). In the theater, each character has a defining moment, called a Mie. The Mie displays the characters personality. The…

    • 1849 Words
    • 8 Pages
    Best Essays
  • Better Essays

    Theatre

    • 1403 Words
    • 6 Pages

    Speaking at the August 1992 Republican National Convention, Patrick Buchanan uses various forms of compelling language to motivate his “Buchanan Brigade” and the other convention attendees to support George Bush in the upcoming November Presidential election. “I do believe deep in my heart that the right place for us to be now, in this presidential campaign, is right beside George Bush. This Party is my home. This Party is our home and we've got to come home to it. And don't let anyone tell you any different,” (Buchanan 4). Patrick Buchanan undeniably pledges his wholehearted Republican Party support for Presidential candidate George Bush through his sarcastic, declarative tone critical of the opposing Clinton administration, by utilizing powerful repetition, and through asking persuasive rhetorical questions.…

    • 1403 Words
    • 6 Pages
    Better Essays
  • Good Essays

    The theatre is one of Ancient Rome form of entertainment. The characters in Roman plays were all played by male slaves. Men played the parts of the women. The typical characters that were played in Ancient Rome theatres included the rich man, the king, the soldier, the slave, the young man and the young woman. If necessary, an actor would play two or more roles in a single performance. The mask was the most notable part of an actor’s performance. More masks and wigs were used for comedies that tragedies. Gray wigs represented old men, black for young men and red for slaves. Young men wore brightly colored clothing, while old men wore white so that the audience can easily identify the characters. Pantomimes were popular during the first century BC. Pantomimes involved miming roles to accompaniments of singers, dancers and musicians. Women wore allowed in mimes and pantomimes, but eventually degenerated into vulgar and disgusting tastelessness. In Ancient Rome, plays were usually presented on contemporary wooden stages at the time of the games. In 55 BC, the first permanent Roman theatre was built. It had a seating capacity of twenty seven thousand. In Greek theatres there was a circular space located in front of the stage called the orchestra, since Roman plays usually lacked a true chorus, the area in front of the stage simply became a semicircular area. Admission to the Roman plays were free for citizens. Originally, women were only admitted to view tragedies, but, later, no such restrictions were imposed.…

    • 727 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    The theater and all it encompassed played an integral role in the lives of the ancient Greeks. From the architecture and costumes, to the mask, the art of the theater was a feast for the senses and inspired artists to recreate what was seen on stage on more permanent media, thus enriching the lives of future generations. It is believed that theater began as a religious experience in order to honor the gods. Drama developed out of choral dances for Dionysus, the Greek god of wine, fertility and revelry, in Athens in the mid-sixth century BCE, inaugurating the earliest vase-paintings of ancient Greek performance (Hart 1). In 534 BCE the first tragedy took place with comedy following suit around fifty years later. According to Aristotle, Thespis was the first person to appear onstage as someone other than himself, thus the term “Thespian” was most likely created to denote actors. From the performances of plays from such notable authors as Sophocles, Euripides, Aristophanes and Menander a collection of some of the most beautiful and historic art sprang forth.…

    • 1317 Words
    • 6 Pages
    Powerful Essays

Related Topics