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I. INTRODUCTION
Today, faith, doubt, and prayer the afterlife and other religious are topics that is truly significant. How does one find faith? Rediscovering faith after the grieving process so whether starting from background of having practiced a religion and then fallen away, or whether pursuing the search for faith for the first time. The question becomes why should a person take time to read and learn about God? Dante’s epic masterpiece, The Divine Comedy, was probably begun about 1307; it was completed shortly before his death. The work is an allegorical narrative, in verse of great precision and dramatic force, of the poet’s imaginary journey through hell, purgatory, and heaven. It is divided into three sections, correspondingly named the Inferno (Hell), the Purgatorio (Purgatory), and the Paradiso (Paradise). In each of these three realms the poet meets with mythological, historical, and contemporary personages. Each character is symbolic of a particular fault or virtue, either religious or political; and the punishment or rewards meted out to the characters further illustrate the larger meaning of their actions in the universal scheme. Dante is guided through hell and purgatory by Virgil, who is, to Dante, the symbol of reason. The woman Dante loved, Beatrice, whom he regards as both a manifestation and an instrument of the divine will, is his guide through paradise.

II. SOURCES AND INFLUENCE OF THE PLAY
The work, which provides a summary of the political, scientific, and philosophical thought of the time, may be interpreted on four levels: the literal, allegorical, moral, and mystical. Indeed, part of the majesty of this work rests on its multiplicity of meaning even more than on its masterfully poetic and dramatic qualities. It is supreme as a dramatization of medieval Christian theology, but even beyond that framework, Dante’s imaginary voyage can be understood as an allegory of the purification of one’s soul and of the achievement of inner...
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