Prevalent among many of Ernest Hemingway's novels is the concept

popularly known as the "Hemingway hero", an ideal character readily

accepted by American readers as a "man's man".   In The Sun Also Rises,

four different men are compared and contrasted as they engage in some

form of relationship with Lady Brett Ashley, a near-nymphomaniac

Englishwoman who indulges in her passion for sex and control.   Brett

plans to marry her fiancee for superficial reasons, completely ruins one

man emotionally and spiritually, separates from another to preserve the

idea of their short-lived affair and to avoid self-destruction, and

denies and disgraces the only man whom she loves most dearly.   All her

relationships occur in a period of months, as Brett either accepts or

rejects certain values or traits of each man.   Brett, as a dynamic and

self-controlled woman, and her four love interests help demonstrate

Hemingway's standard definition of a man and/or masculinity.   Each man

Brett has a relationship with in the novel possesses distinct qualities

that enable Hemingway to explore what it is to truly be a man.   The

Hemingway man thus presented is a man of action, of self-discipline and

self-reliance, and of strength and courage to confront all weaknesses,

fears, failures, and even death.

        Jake Barnes, as the narrator and supposed hero of the novel, fell in

love with Brett some years ago and is still powerfully and

uncontrollably in love with her.   However, Jake is unfortunately a

casualty of the war, having been emasculated in a freak accident.   Still

adjusting to his impotence at the beginning of the novel, Jake has lost

all power and desire to have sex.   Because of this, Jake and Brett

cannot be lovers and all attempts at a relationship that is sexually

fulfilling are simply futile.   Brett is a passionate, lustful woman who

is driven by the most intimate and loving act two may share, something

that Jake just cannot provide her with.   Jake's... [continues]

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