In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over man, man over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams Stanley is clearly the more dominant figure over Stella. Throughout the play there are numerous examples of the power he possesses of her. Williams portrays Stella as a little girl who lives around in Stanley’s world. She does what he wants, takes his abuse yet still loves him. Situations likes these may have occurred in the 1950’s and lasted, but in today’s time this would only end up in a quick divorce.
The first scene of the play (pg. 14) Stanley has just thrown a piece of meat up to Stella as he turns the corner heading for the bowling ally. He makes no motion to stop, run up the stairs and explain to his wife what’s going on, similar to what would occur in an equal relationship. Instead he continues down the street like a boy with no responsibilities. Stella yells, “Where are you going,” and then asks if she could come to watch, he agrees but doesn’t stop to wait for her. This scene demonstrates how Stella follows Stanley along, and serves him according to what he wishes to do and when he wants to do it.
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife.... [continues]
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