Streetcar Named Desire

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Within the play Streetcar Named Desire written by Tennessee Williams, the lives and relationship of Blanche DuBois and Stella Kowalski are plotted out in a scene of events that depicts astute betrayal and out of the ordinary family matters. Based on the time period of this play, that being of the Old South conservative dominated region of New Orleans with local and national aristocracy still in heavy play, the traditions play out in a way that involve a simple family dispute turning in to Blanche being carried out by the psychiatric ward. Blanche’s forthcomings predicted by her misfortune are carried along to the Kowalski family. These misfortunes are stifled as much as possible and are avoided at the cost of the integrity of Blanche herself. Blanche’s stay is short lived with all of the drama that happened while new characters are introduced such as Shep Huntleigh, the millionaire, and Mitch, the sneaky best friend of Stanely Kowalski’s. In terms of prescriptive criticism, I would personally augment the plot in a direction that would take a more in-depth dramatization of the deterioration of Blanche’s and Stella’s family relationship. The intricate characters that create this classic play are all blend together as one big happy distorted family. Blanche’s character is definitely that of a round character that shows characteristics of somebody that has some mental issues that root from the suicide of her recent husband, which led to her promiscuous behavior at her previous town. Stella, on the other hand, has her situation more in control than Blanche does. The family household that Stella and her husband, Stanely, were happily running, before Blanche calmly forced herself in to, lived up to the standards of the typical American home in New Orleans. Aside from Stella’s beginning characteristics of being the big sister that knows better, she deviates from traditions and becomes promiscuous with the new character, Mitch, which is introduced at the time of...
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