As Hagar faces implications of growing old, she starts on a tumultuous journey, not one of her own choice, but one of destiny.   She goes through different stages of denial, anger, bargaining, depression and finally acceptance of the fact that death will come, invited or not.



At one time every individual is faced with death, horrific to the young, or inviting to the sick and the old.   Death is interpreted as the end of existence, but to those who believe in the afterlife, as a whole new chapter of the unknown.   When Hagar realizes the proximity of death, she is in denial.   She comes to live in a world of memories in the past.   She created her own illusion because she cannot understand the weakness coming forth in her, like her tears "the incontinent wetness of the infirm" (pg. 31).   All her life, she was hard, never showing emotion, even through the death of John.   You can see her softening near the end, although she would not admit it.



In addition to denial, she reaches a stage of anger and indignance with herself and others in the small world that is her life.   She can no longer perform the simplest tasks such as dressing herself or walking down the stairs.   It irks her to need help, which is one of the reasons she can't stand Doris.   She is also angry at the lack of emotional control as she perceives how "laden with self-pity" (pg. 31) her voice sounds when arguing with Marvin in one instance.   She cannot control how her "mouth speaks by itself, the words flowing from somewhere, some half-hidden hurt" (pg. 68).



After the denial and anger begin to fade, she attempts a short bargaining period where she wonders what if.   She even tells God to bless her or not "just as You please" (pg. 307), but she would not beg.   But even though she attempts to wrestle against the inevitable, there is always a constant reminder.   She places her belief in herself only and faults other's credibility, such as Doctor Tappen's, to maintain the illusion now hanging by... [continues]

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