At the beginning, it would emulate some steps from the candombe and the dancing couples, instead of approaching each other, would get away from one another following the rhythm. The rhythm of tango is based on a 4/8 beat and dancing it only takes walking this basic nucleus of four steps following the rhythm. Figures can be added, but the most important issue in order to be a good dancer is to "walk the tango" and that means within the rhythm. The tango has a soft undulation and a bold rhythm. It is not danced at will or with stiffness. Argentine tango is very flexible and has no set rhythm at all. The leader is free to improvise and dance any rhythm that fits the music. He can suddenly pause and hold a position for dramatic effect. Leader and follower need not even dance the same rhythm! Often the follower will be dancing all slows and the leader will do a double time step. In Argentine tango the leader may be stepping with the left foot while the follower also steps with the left foot. In American tango, this is usually considered incorrect unless the leader is dancing side-by-side or facing the same direction as the follower. Every Salsa composition involves complex African percussion based around the Clave Rhythm, though there can be moments when the clave is hidden for a while, often when quoting Charanga, Changüí, and Bomba. The key instrument that provides the core groove of a salsa song is the clave. Every instrument in a Salsa band is either playing with the clave or playing independent of the clave rhythm. Melodic components of the music and dancers can choose to be in clave or out of clave at any point. However it is taboo to play or dance to the wrong type of clave rhythm. While dancers can mark the clave rhythm directly, it is more common to do so indirectly. This allows the dancing itself to look very fluent as if the rest of the body is just moving untouched with the legs. Movement
As a salsa dancer changes weight the upper body remains...
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