Sophia Loren and Italian Cinema

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“Pizza on Credit”: An Analysis
Italy has always been perceived as a land of beauty. From its ancient architecture, to the abundance of timeless artwork, to the picturesque landscapes that appear to be almost unreal; the beauty of this country has been associated as a part of the life and culture for centuries. Even though this characteristic appeared to be common knowledge to all those who traveled to the foreign land, Italy itself did not always associate their country with this feature. Since the 17th century when young members of aristocratic background came to Italy to explore the ancestry of the European culture, Italy has been stereotyped as a country that produces beautiful things, even women. Italy was also at the very heart of the Renaissance, furthering the allure of the state. Italy encompassed a feeling of tradition and convention that was endearing as well as intriguing.

Inevitably, once people began to realize the appeal of the peninsula, they began conquering it. After they were released from the control of the Napoleonic era in the early 19th century, Italy began taking action towards their unification, which was finally achieved in March of 1861. This period of Resurgence brought about a search for a national identity. Before they had been unified as one independent nation, all Italy had ever known was being under the control of a larger, stronger ruler; now, with their new found liberty, Italy sought after a defining characteristic that the community as a whole could share. Unmistakably, they turned to women. The Italian woman quickly became the symbol of national identity. The uniqueness and exoticness of Italian women, as well as their traditional domesticity quickly developed into the national representation; from women of aristocracy such as Queen Margherita, to more commonly known celebrities such as Gina Lollobrigida and Sophia Loren.

Although this ideal initiated in the late 19th century, it progressed throughout time well into the...
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