‎"Jane Austen is always concerned with the order of things, and her last novel is her most radical ‎exploration of social and personal order".‎

Often regarded the most political of all her novels, Jane Austen’s Persuasion (1816) explores various aspects of ‎social and personal order within the context of Regency England. Through the use of character, in particular ‎character foil, and the development of Anne Elliot in her relationship with Captain Wentworth, Austen examines ‎the themes of class, gender relations and personal persuadability. Her critique of the complex tensions between ‎the aristocracy and meritocracy, changing gender relations and an ideal personal order are what lends the novel its ‎radical elements.‎
At the height of the British Empire and in the wake of naval victories at the Battles of Trafalgar and Waterloo, ‎notions of meritocracy began to challenge the aristocratic social order of Regency England. The British Navy had ‎become regarded as the defender of British interests throughout the world, however in 1815 the British ‎government cut the navy budget and sailors who came back from their victory at Waterloo were unemployed. ‎Austen specifically examines the role of the navy within English society and addresses the injustice of their ‎treatment after their return from the victory at Waterloo. ‎
In Persuasion Austen criticizes the effeminate and profligate upper classes, and offers the navy as an alternative. ‎This criticism is established from the very beginning of the novel in the negative portrayal of the character Sir ‎Walter Elliot. By employing language of virtue to describe character vice in her description of his vanity, “…the Sir ‎Walter Elliot, who united these gifts, was the constant object of his warmest respect and devotion”, Austen creates ‎a subtle irony in her mockery of the aristocracy. The focalisation on the Baronetage and the obvious significance ‎of this inanimate object to Sir Walter further highlights the... [continues]

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