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Simile in David Cooperfield

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Simile in David Cooperfield
Similes are sometimes made without using the words "like" or "as." This often occurs when making comparisons of differing values.

"Norman was more anxious to leave the area than Herman Milquetoast after seeing ten abominable snowmen charging his way with hunger in their eyes."

"But this truth is more obvious than the sun--here it is; look at it; its brightness blinds you."

"Shall I compare thee to a summer 's day? Thou art more lovely and more temperate:" - William Shakespeare, Sonnet 18

"I 'm happier than a tornado in a trailer park." - Mater, Cars

A simile is a figure of speech comparing two unlike things, often introduced with the words "like", "as", or "than". Even though similes and metaphors are both forms of comparison, similes allow the two ideas to remain distinct in spite of their similarities, whereas metaphors compare two things without using "like" or "as". For instance, a simile that compares a person with a bullet would go as follows: "Katrina was a record-setting runner and as fast as a speeding bullet." A metaphor might read something like, "When Katrina ran, she was a speeding bullet racing along the track."

A mnemonic for a simile is that "a simile is similar or alike."

Similes have been widely used in literature for their expressiveness as a figure of speech:

Curley was flopping like a fish on a line.

The very mist on the Essex marshes was like a gauzy and radiant fabric.

Why, man, he doth bestride the narrow world like a Colossus.

Explicit Similes

A simile can explicitly provide the basis of a comparison or leave this basis implicit. For instance, the following similes are implicit, leaving an audience to determine for themselves which features are being predicated of a target:

"My dad was a mechanic by trade when he was in the Army," Raymond Thompson said. "When he got the tools out, he was like a surgeon."

More detail is present in the following similes, but it is still a matter of



References: Aisenman, R. A. 1999. Structure- Mapping and the Simile-Metaphor Preference. American Heritage College Dictionary, 3r d ed. 1997. Houghton Mifflin. Aristotle. Rhetoric. 1954. Trans. W. R. Roberts. New York: Modern Library. Chiappe, D. L., and J. M. Kennedy. 2000. Are Metaphors Elliptical Similes? Journal of Psycholinguistic Research 29 (4): 371-98. Croft, W. 1993. The role of domains in the interpretation of metaphors and metonymies. Fauconnier, G., and M. Turner. 2002. The Way We Think. New York: Basic Books. Gentner, D. 1983. Structure-Mapping: a Theoretical Framework for Analogy. Gentner, D., and B. Bowdle. 2001. Convention, form, and figurative language processing Gibbs, R. 1994. The Poetics of Mind: Figurative Thought, Language, and Understanding. Glucksberg, S., and B. Keysar. 1990. Understanding Metaphorical Comparisons: Beyond Similarity Glucksberg, S. 2001. Understanding Figurative Language. Oxford and New York: Oxford University Press. Kennedy, J. M., and D. L. Chiappe. 1999. What Makes a Metaphor Stronger Than a Simile? Metaphor and Symbol 13 (1): 63-69. Lakoff, G. 1993. The Contemporary Theory of Metaphor, ed. A. Ortony, 202- 51. Lakoff, G., and M. Johnson. 1980. Metaphors We Live By. Chicago: University of Chicago Press. Langacker, R. W. 1987. Foundations of Cognitive Grammar vol. I: Theoretical Prerequisites Levinson, S. 1983. Pragmatics. Cambridge: Cambridge University Press. Miller, G. 1993 (1979). Images and models, similes and metaphors, ed. A. Ortony, 357-400. Ortony, A. 1993. Metaphor and Thought, 2n d ed. New York: Cambridge University Press. Tirrell, L. 1991. Reductive and nonreductive simile theories of metaphor. The Journal of Philosophy 7: 337-58. Todd, Z., and D. H. Clark. 1999. When Is a Dead Rainbow Not Like a Dead Rainbow? Investigating Differences Between Metaphor and Simile

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