The most unique part about the style of the movie is in the cinematography by Roger Deakins. Deakins utilizes tools such as a blue filter in order to convey emotions, and portray scenes through different lights. The filters give a special beauty to the scenes, which in turn causes more dramatic feelings for the audience. With this blue filter the movie tends to bring out the two different colors of blue and brown. These colors are dually used by Deakins to portray either dark or light. The blues of the uniforms are all the more dramatic compared to the drab brown buildings surrounding the prisoners. The colors also produce dramatic irony in the last scene of Red and Andy on the beach. The blue and brown colors that once gave feelings of confinement and despair in the prison are now colors of freedom and happiness. Tools such as the filter are expertly used by cinematographers like Deakins to pinpoint details in scenes, and to portray the desired mood or tone of the film.
The movie follows a formalistic style of direction under Frank... [continues]
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