Roy Lichtenstein

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Roy Lichtenstein is one of the two most recognized names in Pop Art (Andy Warhol being the other). He is best known for his paintings of what appear to be machine-printed comic strips, although he was also fond of depicting advertisements- Roy Lichtenstein (American, 1923-1997) The Kiss, 1962 Oil on canvas 80 x 68 in. Private Collection of Paul G. Allen Image © Estate of Roy Lichtenstein Private Collection of Paul G. Allen Image © Estate of Roy Lichtenstein

Roy Lichtenstein (pronounced /ˈlɪktənˌstaɪn/; October 27, 1923 – September 29, 1997) was a prominent American pop artist. During the 1960s, his paintings were exhibited at the Leo Castelli Gallery in New York City and, along with Andy Warhol, Jasper Johns, James Rosenquist, and others. He became a leading figure in the new art movement. His work defined the basic premise of pop art better than any other through parody.[2]Favoring the old-fashioned comic strip as subject matter, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by both popular advertising and the comic book style. He described Pop Art as, "not 'American' painting but actually industrial painting".[3]

Roy Lichtenstein
Hayward Gallery, South Bank Centre, London
26 February-16 May 2004
The Lichtenstein retrospective at the Hayward Gallery establishes an interesting timescale in terms of the appreciation and significance of Lichtenstein's work and the development of a critical apparatus to understand it. It reinforces the fact that Pop Art was of profound significance in cultural terms but difficult to assess by studying individual artists. Lichtenstein poses numerous problems and contradictions in critical terms, as the literature and reviews reveal. In 1963, Roy Lichtenstein was 40. He was producing a series of seminal works that took comic-strip images and reinvented them as large paintings. In doing so he established...
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