Preview

Roundtable Discussion Structure, Sign and Play - Jacques Derrida

Good Essays
Open Document
Open Document
1053 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Roundtable Discussion Structure, Sign and Play - Jacques Derrida
Roundtable Discussion
Structure, Sign and Play - Jacques Derrida

‘Structure, Sign and Play’, is a paper which involves the author - Derrida, encouraging the use of several different perspectives to view a concept. In doing so, he is able to find a common ground between different viewpoints whilst finding new ways of thinking against a classical perspective. Derrida finds a way to put an argument (against old concepts) into a correspondence within themselves whilst introducing his own concepts that oppose the notions of previous thinkers. This seems to tie-in with the the post-modern spirit - finding new ways to view ideas which are constantly moving around.

Derrida 's essay can be broken down into a number of discrete yet well connected sections, with the main body of the paper surrounding exploration the work of Claude Levi-Strauss.
The essay begins with a focal point - speculation surrounding changes in structuralism - 'perhaps something has occurred in the history of the concept of structure that could be called an event '. Derrida is suggesting that despite always having informed western thinking, the structurally of structures is a largely under examined subject matter and this is one example of where Derrida tries to makes the implicit, explicit, to the reader.

The author begins by directly the meaning of the word ‘event’, suggesting it is too concrete to be used when describing structure. However, he continues to use this word (enclosed in quotation marks) to talk about a past occurrence surrounding the changes in structure he wants to describe. This event is identified as ‘rupture’ and ‘redoubling’ but the rupture of what exactly, is unclear to the reader and does not become known until later on in the essay when these phrases are repeated and explained.

Derrida analyzes the structure of language by using the notion of a stabilizing ‘center ' which controls it by ‘balancing and organizing’ it. Derrida again, tries to implicitly explain this



References: "Structure, Sign, and Play in the Discourse of the Human Sciences". Jacques Derrida, Writing and Difference, trans. Alan Bass. London: Routledge, pp 278 - 294

You May Also Find These Documents Helpful

  • Better Essays

    Symbols, signs and meanings are also another theory to post-modernism. Mass media like television and the internet have exposed us all to different cultures and ideas from across the globe, also known as globalisation. The ‘meanings’ of things have now become more individualised,…

    • 1598 Words
    • 7 Pages
    Better Essays
  • Good Essays

    Maida’s writing is a brilliant exploration of the subject matter. From the citations given throughout the article it seems apparent that the core idea would not be lost on any reader, but after having been provided with a thorough examination of the O’Connor ‘s symbology her writing can now be appreciated to it’s full extent.…

    • 614 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    In this activity, you will build on your previous readings and analysis of Franz Kafka's The…

    • 3402 Words
    • 13 Pages
    Powerful Essays
  • Good Essays

    Number 28

    • 645 Words
    • 3 Pages

    Derrida’s differance, albeit unfathomable in itself, unravels it. By deconstructing Pollock’s painting in terms of space and time, in the same way that Derrida does to language in differance, the movement of the elements in Number 28, 1950 come to light. It does this by illuminating the connection between spatiality and temporality and their interplay. At a cursory level, the painting looks like a complex mess of paint. Applying Derrida allows us to move past that, and recognize the spatial-temporal dimension that allows every color and the brush stroke to move…

    • 645 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Annotated Bibliography

    • 2912 Words
    • 12 Pages

    1. Bloom, H., Man, P. D., Derrida, J., Hartman, G., Miller, J. H. (1979) Deconstruction & Criticism. London: Routledge & Kegan Paul Ltd.…

    • 2912 Words
    • 12 Pages
    Good Essays
  • Powerful Essays

    Deconstruction Essay

    • 2075 Words
    • 9 Pages

    Leitch, Vincent B. “The Book of Deconstructive Criticism.” Studies In The Literary Imagination 12.1 (1979):19. Literary Reference Center Plus. Web. 20 Mar. 2013…

    • 2075 Words
    • 9 Pages
    Powerful Essays
  • Powerful Essays

    ENG1501 the CATCHER IN THE RYE

    • 68555 Words
    • 273 Pages

    • a selection of new critical essays on the The Catcher in the Rye by Sally…

    • 68555 Words
    • 273 Pages
    Powerful Essays
  • Powerful Essays

    Art History Final

    • 2810 Words
    • 7 Pages

    Post-modern art rejects the idea of beauty and truth and reveals the value of irony. Artists such as Marcel Duchamp, who created the Fountain, or Mark Tansey, shock, mock, and force the viewers to rethink the meaning of art. “The reader/viewer must create a whole new context in which to hold the art, one which may truly challenge his belief structures, one which may force him, to make sense of what he is seeing, to hold a larger perspective than he currently has in place.”1 And this applies to the critic as well. His opinion can no longer be valued as before because this kind of art no longer has a meaning and its interpretation no longer matters. Its importance lies on the impact and sensation of its viewers. “Art becomes then a participatory experience, one in which the audience receives, and handles as they may, the flows of libidinal energies which the artist set free.”2 The control the words of critics had over art is gone and viewers are able to let their unconscious decide what art is. Nothing can better explain the place of the critic with this new art as Roland Barthes’s essay title does: post-modern art has brought “The Death of the Author.”…

    • 2810 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Art Essay 2

    • 1433 Words
    • 6 Pages

    How does this view challenge traditional ideas about art? Discuss particular works such as installations, happenings and site-specific works.…

    • 1433 Words
    • 6 Pages
    Good Essays
  • Good Essays

    The use of the post-modern frame is to primarily analyse and interpret an artwork, taking into account the post-modern and temporary influences and how this many affect the making & meaning of the artwork. It is used to examine how changing the context of works can influence the interpretation of the artwork overall. In other words, it could be described as taking something old and making it new.…

    • 1170 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Ontological questions are as old as humanity itself. They form the core of the earliest philosophical considerations, and remain at the core of the work of Sartre in the 20th Century. How we perceive ourselves, and how we perceive the world, are the most fundamental precepts of nearly all philosophical inquiries.…

    • 2349 Words
    • 10 Pages
    Powerful Essays
  • Best Essays

    Cubism and Futurism

    • 2144 Words
    • 9 Pages

    With reference to this question and to specific works of art, show how a semiotic analysis of Cubist and Futurist works may reveal the various ways in which Cubist and Futurist artists make it a priority to critique artistic conventions of representation and production.…

    • 2144 Words
    • 9 Pages
    Best Essays
  • Good Essays

    By this short response, I would like to express my thoughts about the poem “Discourse on the Logic of Language” By M. NourbeSe Philip and about the essay “The transformation of silence into language and action” by Audre Lorde.…

    • 673 Words
    • 3 Pages
    Good Essays
  • Good Essays

    <br><li>Derrida, J (1978) ‘Structure, Sign and Play in the Discourse of the Human Sciences ', in Writing and Difference, trans. A. Bass. London: Routledge, pp 278-294.…

    • 1580 Words
    • 7 Pages
    Good Essays
  • Better Essays

    Derrida's initial and decisive strategy is to disestablish the priority, in traditional views of languages, of speech over writing. By priority I mean the use of oral discourse as the conceptual model from which to derive the semantic and other features of written language and of language in general. And Derrida's shift of elementary reference is to a written text which consists of what we find when we look at it — to "un texte deja ecrit, noir sur blanc. " In the dazzling play of Derrida's expositions, his ultimate recourse is to…

    • 1687 Words
    • 7 Pages
    Better Essays