Romanticism: Samuel Taylor Coleridge and Wordsworth

Topics: Samuel Taylor Coleridge, Romanticism, William Wordsworth Pages: 74 (29635 words) Published: March 18, 2012
Literature is the expression of life in words of truth and beauty; it is the written record of man's spirit, of his thoughts, emotions, aspirations. It is characterized by its artistic, suggestive and permanent qualities. Its object, aside from the delight it gives us, is to know man, that is, the soul of man rather than his actions; and since it preserves to the race the ideals upon which all our civilization is founded, it is one of the most important and delightful subjects that can occupy the human mind. Goethe explained literature as "the humanization of the whole world." Behind every book is a man; behind the man is the race; and behind the race are the natural and social environments whose influence is unconsciously reflected. Literature preserves the ideals of people, love, faith, duty, friendship, freedom, reverence which are the part of human life most worthy of preservation. All the arts, sciences, even inventions are founded squarely upon ideals; for under every invention is still the dream of Beowulf, that man may overcome the forces of nature; and the foundation of all our sciences and discoveries is the immortal dream that men "shall be as gods, knowing good and evil."

The first half of the nineteenth century records the triumph of Romanticism in literature and of democracy in government; and the two movements are so closely associated, in so many nations. The tremendous energizing influence of Puritanism in the matter of English liberty by remembering that the common people had begun to read, and that their book was the Bible, so we may understand this age of popular government by remembering that the chief subject of romantic literature was the essential nobleness of common men and the value of the individual. As we read now that brief portion of history which lies between the Declaration of Independence (1776) and the English Reform Bill of 1832, we are in the presence of such mighty political upheavals that "the age of revolution" is the only name by which we can adequately characterize it. Its great historic movements become intelligible only when we read what was written in this period; for the French Revolution and the American commonwealth, as well as the establishment of a true democracy in England by the Reform Bill, were the inevitable results of ideas which literature had spread rapidly through the civilized world. Liberty is fundamentally an ideal; and that ideal--beautiful, inspiring, compelling, as a loved banner in the wind--was kept steadily before men's minds by a multitude of books and pamphlets as far apart as Burns's Poems and Thomas Paine's Rights of Man,--all read eagerly by the common people, all proclaiming the dignity of common life, and all uttering the same passionate cry against every form of class or caste oppression. First the dream, the ideal in some human soul; then the written word which proclaims it, and impresses other minds with its truth and beauty; then the united and determined effort of men to make the dream a reality,--that seems to be a fair estimate of the part that literature plays, even in our political progress. Historical Summary.

The period we are considering begins in the latter half of the reign of George III and ends with the accession of Victoria in 1837. When on a foggy morning in November, 1783, King George entered the House of Lords and in a trembling voice recognized the independence of the United States of America, he unconsciously proclaimed the triumph of that free government by free men which had been the ideal of English literature for more than a thousand years; though it was not till 1832, when the Reform Bill became the law of the land, that England herself learned the lesson taught her by America, and became the democracy of which her writers had always dreamed. The French RevolutionThe half century...
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