Hero with Romance or Romantic Hero
The categories which it has become customary to use in distinguishing and classifying "movements" in literature or philosophy and in describing the nature of the significant transitions which have taken place in taste and in opinion, are far too rough, crude, undiscriminating -- and none of them so hopelessly as the category "Romantic." (Arthur O. Lovejoy, “On the Discriminations of Romanticisms” 1924) The Romantic Era was an artistic, literary, philosophical and intellectual movement fired by the ideas of artists and intellectuals that reached towards political liberty and sublimity of the natural world. It was a period where the one percent could revolt against the aristocratic social and political rules of the Age of Enlightenment. This period of time was based upon the defiance against the Age of Enlightenment yet at the this period of time shared the same views on the concern of freedom, liberty and the Enlightenment’s philosophy of challenging traditions. This is why it is hard to say that the main purpose behind the Romantic Era was to revolt and to change the Age of Enlightenment because it expands and builds upon the foundation of the Age of Enlightenment, which was the new view of thinking. The Romantic Era was encompassed by the arts (drama, literature, music and art) but impacted history, education and philosophy on a major level. This period of time emphasized the self, proved that strong emotion was built upon by the experiences of life, and invoked the creativity to immerge in all people. Romanticism allowed for the achievements of skilled artists and intellectuals to be recognized in a higher fashion because of the benefits they would have provided society. The value of the imagination, art and life all increased during the Romantic Era because of the intense center of attention on oneself. Artists, musicians, writers, politicians, philosophers, poets and social thinkers have all been used to help describe the term “Romanticism.” The idea of “feeling” was the choice of subject behind the idea of Romanticism. Many people see Romanticism as a continuous movement with the present, while others see it as the tradition to the resistance of the Enlightenment rationalism. The foundation of the Romantic Era lies upon the contrasting views thought up by each movement. The Age of Enlightenment captured the idea of deductive reasoning and objective thinking while the Romantic Era emphasized intuition, imagination, creativity and feeling giving more support for more of a subjective point of view of thinking. Literature was an escape and accolade to many of the citizens that lived during the Romantic Era and a way that the people could connect with literature was through the use of the Romantic hero or heroine. The modern interpretation of a romantic character can be described as someone who has the ideals of a gifted perhaps misunderstood loner that expresses his inspiration instead of the rules of that contemporary society. The Romantic hero’s main purpose was the character in the story that rejected the established norms and conventions of The Age of Enlightenment’s society. The Romantic hero was also someone who placed themselves at the center of his or her owns existence. When studied in literature, the romantic hero is usually the person who is the protagonist yet the focus of the story is not on the characters actions but rather the character’s collective thoughts. As it might be difficult to understand the purpose behind the Romantic hero, examples will be given in order to support and help describe the meaning and allude to the center of the Romantic hero yet before the examples can be given describing the purpose behind the romantic hero, the history and an in depth analysis of some interpretations of the romantic hero will be given. The romantic hero originated due to the transition it offered from the Age of Enlightenment to the Romantic Era and it...
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