The birth of troubadours resided in the rich culture of early 12th century France. They are considered by some to be the frontrunners of secular music. Many were persecuted and killed for their music by the Catholic Church. Troubadours carried the main theme of love in all of their songs. Songs consisting of many different kinds of love were played in courts and sometimes at public meetings. These songs always had to be appropriate for the courts that they were played. Troubadour music in some courts may have even been considered to be racy in current times. The songs helped to show the growing equalities amongst the classes. All troubadours had to show a massive understanding of the intricacies and interworking of the female mind in order to stay on the line of perversion, without crossing it. Most troubadours came from rich courtly families, who were well educated in Catholic schools. The troubadours were groundbreaking individuals who had to persevere through persecution of religious groups, class, and finding a place in their time (Stevens, Butterfield, Karp 798-790). A troubadour was not merely a musician who played other musicians music. They were well versed in the music advances of their time. Troubadours were able to write their own music and compose their own songs. The most highly noted troubadours would only Richardson 2
play for small groups of people, usually in courts. Many of these well-established troubadours would never play for public events. Instead they would allow other musicians to play their music in their place. Not all troubadours were in the same class of wealth. The type of payment received was decided by the amount of money a certain troubadour already possessed. Some independently wealthy troubadours only wanted fame and women as their rewards for singing in the courts. Others helped to spread the fame of a wealthier troubadour by traveling to other courts and...