Road Not Taken

Topics: Decision making, Decision theory, Decision making software Pages: 8 (3196 words) Published: October 14, 2010
Life’s journey is a about making choices along the path. Careful thought and consideration is important in making the right decisions. Although making the right choices in life is not always easy, big five error can learn important lessons can be learned about decisions made the decisions we make. The literary works of Robert Frost’s “The Road not Taken” and William Stafford’s “Traveling Through the Dark” are about making decisions and the lessons learned as we the speakers/ people travel though life’s journey. Although the poems’ have similar themes about life’s choices, they differ in tone. Frost’s poem depicts a man facing a life or death situation and a moral decision is made leaving no regret. On the other hand in Stafford’s “The Road Not Taken”, the speaker makes a decision he later will regret. Although decisions can be difficult to make sometimes, ultimately the choices made in life are up to the individual. Nice poinrts of comparison and We contrast learn from both poems that although decisions are not always easy to make, ultimately the choices we make in life are up to the individual. Good main argument In William Stafford's poem "Traveling through the Dark", the speaker is faced with making a morally tough decision, and with hesitation, he decides to do what is right. The speaker is in conflict with his own conscience. His conscience is weighted with the decision of choosing between the life of a helpless , unborn fawn or the possibility of a lost human life, unsuspecting of a deer in the road

The speaker discovers a dead deer in the road, and his conscience tells him remove the deer from the road to protect others who may be driving down the road on this dark night; “to swerve might make more dead.” The speaker examines the deer closely, and , he discovers that it is a pregnant doe; its fawn is still alive, waiting to be born. Suddenly, the choices are much more complicated. Should he try to save the fawn, or do as he originally intented?

Faced by the implications of this decision, the narrator considers his surroundings: his car stares ahead into the darkness with its lowered parking lights, purring its steady engine; “The car aimed ahead its lowered parking lights; “under the hood purred the steady engine.”, he stands “in the glare of the warm exhaust turning red,” and can “hear the wilderness listen.” All of these describe the anxiety he feels about his responsibility.

The personified car is expectantly awaiting his decision, eager to get moving again. The car light point the way ahead, and the engine purrs as if it were alive and waiting. The wilderness takes on human abilities also, silently witnessing the outcome it knows must be, but wishing it was otherwise. As the narrator ponders all of this, the tail lights of the car illuminate him in their red light. This is reflective of the heightened emotions he is experiencing, but also brings to mind the bloody fate of the deer and her unborn fawn The decision is not easy. He simply says that he “thought hard for us all my only swerving” and proceeds with the task he had committed to since the beginning. He pushes the deer and her unborn fawn over the edge into the river. “For us all” here can mean the poet, the doe, the fawn, the wilderness, and, by implication, all living things. His thought swerves, as a car would have done, but he acts as he feels he must. Stafford forces the reader to imagine the difficulty of the choice and thus puts the reader, retrospectively, into his dilemma.             The speaker Robert F4rost’s poem, “The Road Not Taken” is fracing a with a dilemma in which she must decide between two paths. The speaker looks back at a time in his life when ehe came to a fork in the road and chose one path over another..

In William Stafford's poem "Traveling through the Dark", the speaker is faced with making a morally tough decision, and with hesitation, he decides to do what is...
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