rizal a hero

Topics: José Rizal, Philippines, Noli Me Tangere Pages: 5 (2078 words) Published: November 12, 2013
In a pragmatic status quo where textbooks teach us at early ages to appreciate the events that truly mattered in the development of history, no one of the Filipino blood could turn his back on Dr. Jose P. Rizal. Throughout my academic journey in school, my knowledge about him consistently evolves. If before, I’ve known him as a hero with distinctive title, now I’ve come to appreciate his literary pieces that awakened the patriotism of our heritage. But after such studies and idealisms learned in the academies, the existent thing that we, as individuals with brown complexion, need to augment is the real life’s application of the valuable deeds that were realized a hundred and fifty-one years ago. Was Rizal’s battle for independence worth fighting for? Or did his citizens turn into dependent and reluctant shadows decades after? A vigilant Filipino would know that the missing pieces in a country’s jigsaw puzzle to progress lie in two main groups. These two groups are not actually intended to be separated from each other. If truth be told, none of the two would have existed without the other one. The first of the two groups is the Philippine government. While it is evident that kind-hearted officials still exist, we cannot deny that our democratic leadership is being pestered by fiends. For almost every day, we hear reports exposing the debauched acts — may it be graft or bribery — of our political leaders. Probably, if Rizal were just alive, he would have this question in mind: How come that the symbolisms he intended for Spaniards back then are imageries very applicable to the high-ranking officials of today? After Noli Me Tangere — or The Social Cancer as alternative title in English — was published in 1887, the said novel effectively disturbed the ruling Spanish government. Of course, as dominant invaders of our fearful citizenry, the Spaniards claimed to have been insulted by the novel’s audacious portrayal of corruption and social abuse. Rizal’s approach in writing was very satirical and emblematic, since most of the characters in the novel — from the discerning administration to the hypocritical clergy to the dissociating natives — represented the flaws of the society in reality. Giving a sense of parallelism between the 1800s and today, we still experience injustices. Some of our leaders steal as if it were a right bestowed to them by the public. Not just that, we also become victims of social abuse — choosing the influential and powerful over the immobilized. Did anything change? Nonetheless, yes. We now denounce the race of our own. These analyses led me to a certain conclusion. If Dr. Jose Rizal were only living, he would have continued to write. And in my opinion, he would have written about ‘trapos’, the people in believable suits who try to badger a history that had long suffered from crooked conventions. In a contemporary state of the populace where many want to start anew, the shades of gray need to be lightened, if not truly removed. ‘TraPo’, or traditional politician in formal context, is defined as someone who makes false promises. He doesn’t just make fools out of people; he also maximizes his position as primary source of dominion. He makes vices and luxury out of the citizens’ riches, and yet, he still has the guts to face his people. So why trapos, when there are other political figures whom Rizal can write about? In an analogous point of view, it is because traditional politicians complement the harassing invaders of the 18th century. When El Filibusterismo, Rizal’s second novel, was translated in English, its title was renamed The Reign of Greed. With that four-word title alone, one can already imply the connection between Rizal’s perspectives and the trapos of today. Back then, our national hero condemned the avaricious Spanish colony through his pen. In our time, he could have done the same thing to our insatiable elected executives. If Rizal were living today, he would have suffered from a deep...
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