Richard Hamilton

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  • Topic: Collage, This Is Tomorrow, Just What Is It that Makes Today's Homes So Different, So Appealing?
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  • Published : December 1, 2012
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Just what is it that makes today's homes so different, so appealing? From Wikipedia, the free encyclopedia
(Redirected from Just What Is It that Makes Today's Homes So Different, So Appealing?) Just what is it that makes
today's homes so different, so appealing?

ArtistRichard Hamilton
Year1956
TypeCollage
Dimensions26 cm × 24.8 cm (10.25 in × 9.75 in)
LocationKunsthalle Tübingen, Tübingen
Just what is it that makes today's homes so different, so appealing? is a collage by English artist Richard Hamilton.[1][2] It measures 10.25 in (260 mm) × 9.75 in (248 mm). The work is now in the collection of the Kunsthalle Tübingen, Tübingen, Germany. It was the first work of pop art to achieve iconic status.[2]

Contents [hide]
1 History
2 Sources
3 Authorship
4 Notes and references
[edit]History

Just what is it that makes today's homes so different, so appealing? was created in 1956 for the catalogue of the exhibition This Is Tomorrow in London, England in which it was reproduced in black and white. In addition, the piece was used in posters for the exhibit.[3] Hamilton and his friends John McHale and John Voelcker had collaborated to create the room that became the best-known part of the exhibition.

Hamilton subsequently created several works in which he reworked the subject and composition of the pop art collage, including a 1992 version featuring a female bodybuilder.

[edit]Sources

The collage consists of images taken mainly from American magazines. The principal template was an image of a modern sitting-room in an advertisement in Ladies Home Journal for Armstrong Floors, which describes the "modern fashion in floors". The title is also taken from copy in the advert, which states "Just what is it that makes today's homes so different, so appealing? Open planning of course - and a bold use of color." The body builder is Irvin 'Zabo' Koszewski, winner of Mr L.A. in 1954. The photograph is taken from Tomorrow's Man magazine, September...
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