Representation of Indigenous Cultures in the Rabbits and Rabbit Proof Fence
Representation of Indigenous Cultures
Since the European settlement of Australia, the Indigenous people have been represented in a myriad of ways. The Rabbits (1998), an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002), a film directed by Phillip Noyce, are just two examples of this. Techniques such as music, changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits, exaggeration, different colour themes and perspective are used to portray the Aborigines as technologically inferior and overwhelmed against the Europeans. In both texts, the Indigenous people are represented as oppressed by the Europeans. The Rabbit Proof Fence uses techniques such as slow motion close-ups, quick transition camera shots and intense music to show the strong-willed nature of the Aboriginals, which are be used in the scene where the three girls are taken by constable Riggs. Just before constable Riggs, we already hear the music building up the tension with some soft, yet ominous music and as they see the car, there is a slight silence before the intense music slams suddenly to support and symbolise the chaos and confusion of this part of the scene. This brief respite in music and the slow motion close-up shots of the horrified expressions on the faces of all of them emphasises the chaos that was about to happen when constable Riggs chases and captures the girls.
Even after the girls were obstructed by the car and constable Riggs was taking the girls one by one, they continued to resist, especially Molly, who screamed and kicked the door shut as Riggs attempted to shove her inside the back seat. The quick transition camera shots that accompany this section of the scene from one character to another, exemplifies the franticness of it. During this scene, we clearly see the considerable amount will of resistance the Aborigines
Since the European settlement of Australia, the Indigenous people have been represented in a myriad of ways. The Rabbits (1998), an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002), a film directed by Phillip Noyce, are just two examples of this. Techniques such as music, changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits, exaggeration, different colour themes and perspective are used to portray the Aborigines as technologically inferior and overwhelmed against the Europeans. In both texts, the Indigenous people are represented as oppressed by the Europeans. The Rabbit Proof Fence uses techniques such as slow motion close-ups, quick transition camera shots and intense music to show the strong-willed nature of the Aboriginals, which are be used in the scene where the three girls are taken by constable Riggs. Just before constable Riggs, we already hear the music building up the tension with some soft, yet ominous music and as they see the car, there is a slight silence before the intense music slams suddenly to support and symbolise the chaos and confusion of this part of the scene. This brief respite in music and the slow motion close-up shots of the horrified expressions on the faces of all of them emphasises the chaos that was about to happen when constable Riggs chases and captures the girls.
Even after the girls were obstructed by the car and constable Riggs was taking the girls one by one, they continued to resist, especially Molly, who screamed and kicked the door shut as Riggs attempted to shove her inside the back seat. The quick transition camera shots that accompany this section of the scene from one character to another, exemplifies the franticness of it. During this scene, we clearly see the considerable amount will of resistance the Aborigines