Renaissance Art 2

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When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of linear and aerial perspective and pyramid structures came into use by Francesca and Alberti, paintings were able to carry better-recognized religious ideas because the paintings became more transparent and more vivid in detail. Lastly, artists in the high Renaissance such as Da Vinci, Michaelangelo, Titian, and Raphael developed paintings in the narrative style that demonstrated the "body in a more scientific and natural manner," thus demonstrating the various aspects of every day life. Moreover, with the combinations of the two beneficiary notions, individualism and humanism, craftsmen were expected by society to be proficient in more than one profession such as literature, sculpture, architecture, and particularly art. One of the first major ideas that the Renaissance brought to Italy was its humanistic belief in society and religion that was popularly depicted through many of the paintings. For instance, Florentine Mosaccio, a vital figure in the early Renaissance art, portrayed society's belief of religion through the style of realism and perspective in his famous works such as the Tribute Money and Madonna and Child with Saints that demonstrated ideas of simplicity, unity, and believability. Another Italian artist, Giotto, used the idea of realism...
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