Racism: a Comparison and Contrast of Two Literary Works

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Racism: A Comparison and Contrast of Two Literary Works
The words, purpose and identity are familiar with mankind. These words can mean many things to many different individuals. Each person on this Earth is uniquely made with unique DNA patterns and fingerprints that cannot be matched with any other individual among the billions of people that occupy this planet we call Earth. Why is prejudice so common among people if everyone is unique and special? This question remains unanswered. Many authors have written essays, stories, and poems about negative judgmental and biased views of people in hopes to understand unfair treatment towards mankind and promote changes in human behavior that will bring solutions of peace. This paper will reflect on the stories, Country Lovers, by Nadine Gordimer and The Welcome Table, by Alice Walker. Gordimer and Walker have become activists for fair and unbiased treatment among mankind. Both authors have been rewarded numerous honorary awards for promoting peace. Ironically, Nadine Gordimer is a white woman born and raised in South Africa and Alice Walker is an African American but both authors have kindred spirits and are celebrated for their commitments to fight the cruel elements of racism.

Nadine Gordimer’s Country Lovers is a story about Thebedi, a black girl, and Paulus, a white boy, who fell in love. Gordimer wrote the story from a third-person point of view. The point of view is objective; the characters’ thoughts are not exposed as in the omniscient point of view. The point of view allows the reader to concentrate on the characters’ actions, creating a more dramatic effect. Thebedi and Paulus’ attraction to each other was unforbidden and socially not acceptable in the South African culture in which they were raised. Both children were raised on a South African farm, one that was owned by Paulus’ parents. Thebedi was one of the many black hired hands, slaves, or servants who worked on the Eysendyck’s family farm. The...
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