In “Anarchy in the Tenth Grade”, Graffin describes what life as a teenager is like in Southern California. Throughout the essay, Graffin describes how he uses music as a way of dealing with peer pressure and feelings of alienation from the popular crowd in his high school. Graffin’s explanations of teenage life in the 1970’s demonstrates the symbolic interactionism concept devised by George Herbert Mead and how symbolic interactionism helps us interact with others within our subculture just as Graffin interacts with others within the punk subculture. Mead shows us that by using symbols, we are able to imagine ourselves in someone else’s…
Punk rock was a message to society that all was not well and all were not equal. And this appealed to people as they could connect and relate to the music. Thus turning to the music as an outlet for their anger. Punk subculture then became a new way of life. The people in it worshipped nihilism as the protest that it was easier to swallow nihilism than face the truth.…
Music from the 1960’s and 1970’s is much different than music of today. Classic rock was started in the 1960’s as a cause of the British invasion, which included the discovery of bands such as the Beatles, Led Zeppelin, and Pink Floyd. The British invasion influenced garage rock which many high school aged boys would participate in. Some examples of garage rock inspired bands are: the Yarbirds, the Animals, the Rolling Stones, the Kinks, and the Beatles Sgt. Pepper’s Lonely Hearts Club Band. Also at this time, folk rock and psychedelic rock developed from garage rock. Most psychedelic songs consisted of similar features such as a slow tempo or long guitar solos with strange riffs. Folk rock developed in the 1960’s from garage rock and psychedelic rock as “a mix of the ideologies and sounds of folk revival” (Morrison). Classic rock of the 1970’s caused America to undergo a cultural shift which included politics, drugs, and lifestyle.…
“America marches to a different drummer. Its uniqueness is explained by any or all of a variety of reasons: history, size, geography, political institutions, and culture.” This type of “American” thinking continues to inspire all kinds of musicians, but more so with the Punk Rock genre than any other. It was defines the core competencies of the bands, as well as that of their followers. This defining concept of individualism is also why Punk Rock has stayed relevant for all of these years. This country was built off this impression, as well as Punk Rock. It is hard to break down the barrier of individualism, because everyone is so unique, and Punk Rock simply unites and celebrates all different types of unique thinking.…
In the early 1980s, the "new wave" movement, a sub genre of punk rock that began in the '70s, was generating a more sophisticated pop sound. In Britain, artists including bands such as the Clash, Squeeze, and the Police attained both critical and commercial acceptance. The Pretenders, another British band established in the late 70s, was led by an American-born singer and songwriter, Chrissie Hynde. In the United States, the Los Angeles-based band X navigated the transition from punk to new wave, and the New York-based group Talking Heads with a big assist from MTV, succeeded in fusing art rock with funk and African rhythms. Which leads me to my next new 80's genre.…
The focus of this paper is on the early development of punk rock, the bands and musicians who started the new sound, the subculture that was influenced by the punk rock movement, the evolution of punk and the state of punk rock music today.…
The Sex Pistols were created with a certain image by Malcolm McLaren and that is why they were not seen in the same way as Milli Vanilli were. The depiction of the sex Pistols being an “early boy band” cannot be logically defended because there is no real proof of that assumption. The most important aspect of the case study is the outcomes of both the artists.…
My friend John Le, who I have known since high school, always enjoyed heavy metal music even though everyone else in our friend group enjoyed more traditional teenage music genres, such as hip-hop, R&B, and pop. His music choices alienated him somewhat from the rest of us and lead to many arguments between him and myself on the merits of the heavy metal genre, which works out perfectly because I chose to interview him due to this genuine interest in the experiences that shaped his adoration of heavy metal music. In this essay, my interview with John Le reveals that his fascination with heavy metal music stems from a desire for a genre to express emotional mood shifts and rebellion from the traditional rigid constraints (as well as expectations)…
The role and significance of sub-cultural style and its relationship to mainstream culture, moreover its political connotations have been an area of contention within sub-cultural theory. A seminal account of sub-cultural dynamics was postulated by Hebdige who drew on theories from disciplines diverse as Semiotics and Anthropology. Hebdige considered sub-cultural style to be grounded in the re-appropriation and subversion of the mainstream cultural order by alienated groups. This implies that style itself has a political dimension and that sub-cultural style is innately politically challenging (effectively or not) within the power relations of society. The task of this paper will be to shed further light on Hebdige’s theory of sub-cultural style as a form of re-appropriation and insubordination, building up from the theoretical antecedents to an application of the theory to punk subculture. Additionally, I will evaluate Hebdige’s thesis on the nature of sub-cultural style and its political dimensions.…
Nothing Frightens people more than change. Infact people's resistance to change often creates negative consequences, such as the Civil war as a result of the South’s resistance to the abolition of slavery. With every new generation comes change, whether it be clothing, hairstyles, or even music. The 70s brought about a lot of change within the world which then inturn affected the music that was produced during the time. The older people looked at the young folks and the music they were producing as strange and offensive. With drug influenced songs and weird and offensive lyrics many 70s bands like Black Sabbath, spit in the proverbial face of the old classics of the 60s and earlier. Artists such as Labi Siffre were having none of their long hair and crazy music as expressed in his less than subtle song song “ I Don’t Know What Happened to the Kids”. The juxtaposition of Labi’s song and Black Sabbath’s song “Iron Man” as Black Sabbath is apart of the group of “kids” Labi is worried about.…
It ended right where it began, in America, however the journey turned into a cultural movement in Britain, by angry, rioting teenagers who, through a tragic economic depression, had no future; until the day Punk arrived, giving them a voice and new way of life. Punk was a total cultural revolt. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way. Punk bands, eschewing the perceived excesses of mainstream 1970s rock, created short, fast, hard music, with stripped-down instrumentation and often political or nihilistic lyrics. The associated punk subculture expresses youthful rebellion, distinctive clothing styles, a variety of anti-authoritarian ideologies, and do it yourself attitude. Punk rock became a major phenomenon in the United Kingdom during the late 1970s; its popularity elsewhere was more limited. During the 1980s, forms of punk rock emerged in small scenes around the world, often rejecting commercial success and association…
“Divorced from skin color, sound quality, scene or history, Hip-Hop (and therefore its more prolific offspring, rap) and punk share every important defining factor: heavy bassline, repetitive and melodically simple or devoid vocals focused on internal rhyme, minimalistic instrumental hooks, and lyrics about nihilism, social concern, poverty and oppression”(Ross Hsu). Hsu asserts that despite the fact that Hip-Hop and punk have different cultural and historical backgrounds, they are similar because they share the same musical elements. Yet, the historical background for development of music is important, so it shouldn’t be ignored. If both kinds of music are so similar, they would have been considered the same. Even though a truck and a sports…
It has combined Rock N’ Roll, Grunge, and Heavy metal. It was formed into many different waves for different listeners, such as from ‘Punks’ to ‘Rebels.’ 1976 bands like the Ramones, Sex Pistols, and The Clash were recognized as the troops of a new music genre. Many Punk bands originated with a deafening and Do-It-Yourself image, now the music has become a political message (Politics and Punk Rock). It cultivates the now known world and society as it goes along.…
The punk subculture firstly started around the 1970’s and it was largely characterised by a concern for individual freedom and anti establishment views. Punk music was a key part of the subculture, with lyrics often being very offensive and Jamie Reid reflected this in his graphic design.…
Punk rocker’s effort to uphold self-invention in a community setting predictably yielded conflicts. Sometimes, these tensions caused serious friction or even factionalism in the community. Despite this, punk rockers allowed the tensions to exist because like many artistic expression of the era – their subculture expected and valued contradictions internally and externally. Life simply wasn’t neat and tidy in their worldview.…