Look at the last two of the Preludes sequence of poems. Consider the effects achieved by the writing, showing how far concerns and effects characteristic of Elliot are reflected.
Concentrate on the two but join it up with the rest of them
Effects achieved through the writing
Particular period that influenced him
minimum 700 words.
When referring to the last two sequences in T.S. Eliot's poem Preludes the responder feels the effects of the dark and gloomy writing style. One can sense that through the poem, Eliot is trying to make a statement about the daily lives of the lower-class people. Eliot's concern for those living in a lower-class is reflected in Preludes through his use of techniques which encourage empathy and provide these people with a voice so as to show that there is a completely different style of living and to try to interrelate the two different worlds. The poem is primarily a condemnation of modernity and specifically urban life.
Focusing on section III, T.S. Eliot achieves an element of connection and intimacy between the poem and the reader through the use of second person narration. This sequence introduces the first actual character of the poem, in the second person, implicating the reader in the grimy oppressive position of the character. The soul of this 'you' is constituted of a 'thousand sordid images' and the soles of 'your' feet are yellowed and 'your' hands are soiled by physical labour and the dirt and grime of the city. The use of the second person here closes the distance between the text and reader. However the degrading, accusatory manner in which it does so, isolates the reader as well. Through this the reader feels a sense of alienation, similar to that of what Eliot is trying to imply the character would feel. The only redemption in the scene described, is found in the sunlight and birdsong. Which are both jarringly pessimistic. 'Light crept up between the shutters
And you heard the sparrows...
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