Preview

Postmodernism

Powerful Essays
Open Document
Open Document
1840 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Postmodernism
History Essay, Postmodernism

“Many Postmodern artists sought to deconstruct truths, and dominate ideas and cultural forms. Discuss with reference to at least two artists/designers and specifically the techniques they used to achieve these outcomes.”

Synopsis
This academic essay explores postmodern artists who form new perspective and controversy through the expression of their art. Research of various artists including Alessandro Mendini, Andy Warhol, David Ligare and Jenny Holzer were examined to find deconstructed truths and powerful ideas of society of their time. Different material, methods and media’s have been used in postmodern art, such as painting fine art, technology, architecture and fashion. A study of various types of powerful societal changes through time is tackled through art. These changes comprise of gender identity, globalisation growth, political power etc.

Introduction The expression of Art has always been influential; many artists use it as a tactic to exploit political truths and ideas. Postmodernism is a “movement reacting against modernism, especially by drawing attention to former conventions” (pg821). This form of art allowed a new way of looking at reality in a society that is constantly reassessing its culture and values. Postmodern art focuses on a mixture of high and low cultures and dominant ideas; it went against repression, sexism, racism, political power, and violence. Deconstructing truths criticises and analyses contemporary issues. These deconstructionist feed on controversy, artists such as Alessandro Mendini, Andy Warhol, Jenny Holzer create colourful and ruinous, luxurious and outrageous artwork. The art allowed radical freedom to design, funny gestures confrontation and occasionally absurd. It was a style that has new self-awareness.

Postmodernism rebelled against modernism; it was an attack on what had come before as it explored and disparaged any unspoken leading concepts and social customs. The



References: Heartney. E, 2001, ‘Postmodernism’ Tate Publishing, London Woods Bevir. M, 2007, ‘Histories of postmodernism’, Routledge, London Smith Eagleton. T, 1997, ‘The illusions of postmodernism’, Blackwell Publishers, Oxford, UK Thompson Kruger, B, 2006, ‘Barbara Kruger’, ACCA, Southbank, VIC Bulholh, B 2005, ‘Postmodern studies’, Rodopi, Post Modernism, 2012, Whitehouse Design, Australia 18/6/12

You May Also Find These Documents Helpful

  • Good Essays

    Post Modernism, on the other hand, is ‘after modernism’, and in many ways postmodernism constitutes an attack on modernist claims about the existence of truth and value, claims that come from the European enlightenment of the 18th century. In disputing past assumptions postmodernists generally display a preoccupation with the inadequacy of language as a mode of communication. One such famous postmodernist theorist is French philosopher Jacques…

    • 526 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Response Paper Introduction Thomas McEvilley’s article “Here Comes Everybody” is an informative piece that tries to expound on how the history of the world is closely associated with the history of art. It also tries to link culture with the artwork production by saying they both influence one another. Most of the text focuses on the weight of Modernism in today’s society and the effects our past has on shaping this movement. McEvilley begins by lamenting that people view art pieces as uncontrolled existences that are neither affected by culture, politics, economic and social history. Though his investigation within these exclusions he concludes that colonialism and imperialism had an adverse impact on these areas but also in art.…

    • 653 Words
    • 3 Pages
    Good Essays
  • Good Essays

    This quote alone sums up the idea that art in this era is struggling between two worlds. In this manifest it is much clearer that those two worlds are aesthetically pleasing or thought provoking and spiritualistic. This manifesto makes the revolution more about the nature versus machine rather than the workers versus the bourgeois. The difference between this manifesto and the last is the solution for the apparent problem in the revolution. This approach is laid out as “Impose aesthetic limits” to “No more retrospection. No more futurism” (Ades). Rather than going back to the traditional ways of the art that came before and rather than embracing the aesthetic qualities that are described as being machine-like the writer proposes that this be a new approach.…

    • 533 Words
    • 3 Pages
    Good Essays
  • Better Essays

    * Deconstruction is part of a broader field of criticism known as “post-structuralism,” whose theorist have included Jacques Derrida, Roland Barthes, Michel Foucault, Jean Baudrillard, among others. Each of these writers has looked at modes of representation – from alphabetic writing to photojournalism – as culturally powerful technologies that transform and construct “reality”.…

    • 1181 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    Seinfeld and Postmodernism

    • 4388 Words
    • 18 Pages

    Alter-Muri’s and Klein’s (2011), MacGregor’s (1992) and Jones’s (1997) articles about postmodern art were reviewed for the better understanding of the effect of the postmodernism on the postmodern art. Klaver (1994) and Olson (1987) explained the effect of the postmodernism on television’s content. Hurd’s article provided background information about the postmodern worldview. Benhabib’s (1984) article described the epistemologies of the postmodernism. Jameson (1991) explained the cultural logic of the late…

    • 4388 Words
    • 18 Pages
    Powerful Essays
  • Powerful Essays

    A central feature to Modernist art is the Avant-garde, a term that stresses originality, innovation and an advanced outlook to the visual arts. Avant-garde holds an importance to be ahead; it’s to be the newest and most authentic at the same time. However, as inspiring as the Avant-garde art reads, there is a connotation of radicalism and it carries the implication that for artists to be truly Avant-garde they must challenge all aesthetic conventions, criteria and considerations of taste that already exists. This is also a reason why Avant-garde can be seen as subversive, it wants to challenge all the fundamentals of western culture. Avant-garde has determination and because of it many revolutionary movements emerged. Towards the latter end of the Modernist era the first lightly received movement came about with an opposed idea to abstract expressionism; Minimalism. Taking its…

    • 1539 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Postmodernism is best understood by defining the modernist ethos it replaced - that of the avant-garde who were active from 1860s to the 1950s. The various artists in the modern period were driven by a radical and forward thinking approach, ideas of technological positivity, and grand narratives of Western domination and progress. The arrival of Neo-Dada and Pop art in post-war America marked the beginning of a reaction against this mindset that came to be known as postmodernism. The reaction took on multiple artistic forms for the next four decades, including Conceptual art, Minimalism, Video art, Performance art, and Installation art. These movements are diverse and disparate but connected by certain characteristics: ironical and playful…

    • 160 Words
    • 1 Page
    Good Essays
  • Powerful Essays

    Lyotard, Jean-Francois. "Defining the Postmodern." Postmodernism. Ed. Lisa Appignanesi. London: Institute for Contemporary Art, 1986.…

    • 4022 Words
    • 17 Pages
    Powerful Essays
  • Good Essays

    Photographic Negatives

    • 664 Words
    • 3 Pages

    If an artist decides their content to require a system of deconstruction then what does this say about their relationship with the theme? This decision could be based on an initial level to be a reaction to an environment as in Stephen Gill’s series “Buried” but could also be based on feelings of intense personal turmoil, thus requiring a production method of delicate distinctiveness which reiterates their relationship to the subject. “It’s about letting go and following my instincts…I think it’s almost a reaction against photography. In the late 1990s and early 2000s, digital imaging was coming in and everyone was talking about quality and technique…I was reacting against that and trying to put the content back in. It’s both conscious and subconscious, but it’s really exciting for me.” (Gill, 2007a) Many viewers will have defined expectations of an artist based on their existing portfolio and similarly visitors to a museum or contemporary gallery will expect the work displayed to contain perfectly orchestrated examples of the artist’s craftsmanship and skillfulness although an artist’s ego can get in the way. The following is a quote about a well-known artist but could equally be applied to a photographer: “Somewhat late in the day, Damien Hirst has decided to find out whether he can paint…. But he’s not a legitimate heir and the…

    • 664 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    As this new trend of change began, artists and designers believed that the ‘urge to establish the current generation as being different and free from its predecessors’ was going to be their main aim in order to lead Modernism forward. (Eysteinsson and Liska, 2007 p.233) During that era, society issues hugely influenced designs, more commonly inspired by politics and economical factors. They thought that designs that provoked these matters gave the foundation of what the ‘social experience of living in the modern world’ was really like. (Meecham and Sheldon, 2005…

    • 1600 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    Developments in the visual arts since the late nineteenth century display a fascinating succession of movements and styles. Among the most notable movements are Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism, Futurism, Surrealism and Dada. These movements have provided an assortment of treasures for visitors at museum around the world and a wealth of material for art historians. The changes may seem to puzzling to some historians as they attempt to interpret and understand the meaning of modern art and determining its boundaries.…

    • 1288 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    How does John Harding use gothic techniques to create horror in Florence and Giles? Horror permeates much of Harding's beguiling novel Florence and Giles (2010). In a retrospective first-person narrative foretold by young didactic protagonist Florence, Harding's richly textured novel attempts to masterfully create horror through various gothic techniques. For example, Harding employs recurring weather motifs to compel his audience '…

    • 2034 Words
    • 9 Pages
    Powerful Essays
  • Better Essays

    In order to trace the development of modernism throughout history we must first define “modernism”. Modernism is the rejection of the ideology or realism and makes use of the works of the past, through the application of reprise, incorporation, rewriting, recapitulation, revision and parody in new forms. Modernism also rejects the certainty of the Enlightenment as well as an all-powerful, compassionate creator. In lesser words, it rejects traditional conventions (such as realism and perspective). In this paper I intend to follow modernism through the 19th century and beyond, noting on such artists as Eduard Manet, Andy Warhol, Gustave Courbet, Pablo Picasso and Jackson Pollock and the significant and lasting effects they had on modernism in art.…

    • 1884 Words
    • 8 Pages
    Better Essays
  • Powerful Essays

    Art History Final

    • 2810 Words
    • 7 Pages

    Post-modern art rejects the idea of beauty and truth and reveals the value of irony. Artists such as Marcel Duchamp, who created the Fountain, or Mark Tansey, shock, mock, and force the viewers to rethink the meaning of art. “The reader/viewer must create a whole new context in which to hold the art, one which may truly challenge his belief structures, one which may force him, to make sense of what he is seeing, to hold a larger perspective than he currently has in place.”1 And this applies to the critic as well. His opinion can no longer be valued as before because this kind of art no longer has a meaning and its interpretation no longer matters. Its importance lies on the impact and sensation of its viewers. “Art becomes then a participatory experience, one in which the audience receives, and handles as they may, the flows of libidinal energies which the artist set free.”2 The control the words of critics had over art is gone and viewers are able to let their unconscious decide what art is. Nothing can better explain the place of the critic with this new art as Roland Barthes’s essay title does: post-modern art has brought “The Death of the Author.”…

    • 2810 Words
    • 7 Pages
    Powerful Essays
  • Better Essays

    Dadaism Research Paper

    • 2966 Words
    • 12 Pages

    Anarchism is often associated with violence and chaos. Dada captured this spirit of revolt in its brushstrokes, collages and patterns. Revolution is a spiritual emotion felt deep within the body and mind. Modernism, specifically Dadaism, was this and so much more. Pain was not expressed in words, but in texture. Repulsion was not show in violence, but in imagery. Confusion was contained in color, not helplessness. Modernism eased society into a mind frame of desire. This desire burned for something more than development. We, as a society, yearned for emotional maturity, the wisdom to know right from wrong, the courage to change and a burgeoning future. Modernism gave this to us without bloodshed. Contemporary Art must also give thanks to Modern and Dada Art movements as a whole. Without Modernism, Contemporary Art would cease to exist. (Erickson par. 7). This is because art has been and will always be considered a revolt to the former. Just like Modernism, and any other art movement before it, contemporary and conceptual art has warranted criticism. But it is thanks to Modernism that artists create and revolt silently in the face of that criticism. An anarchist spirit has been ingrained into art. The fine arts have, since then, continually questioned the definitions of and concepts behind art. One can notice this in the periods that immediately followed Dadaism. Surrealism questioned reality itself. Abstract Expressionism, made famous by Jackson Pollock, designed an entirely new artistic method. Pop Art characterized a colorful but quiet hostility towards consumer culture. Minimalism attempted to discover the elements of art by reducing it. Modernism both transformed and redeemed…

    • 2966 Words
    • 12 Pages
    Better Essays

Related Topics