Madness is the main idea which is developed in the dramatic monologue, “Porphyria’s Lover” by Robert Brawning. In the poem, the narrator’s lover leaves a high class party and walks through the forest in the middle of a wild and windy night to be with him. He realises that she will never abandon her aristocratic life, so he then kills her with her own long blonde hair. After sitting all night with her, cuddling her dead body, he suggests that she is actually happy to be dead. This shows he is totally mad. The poet uses a variety of techniques to explore the narrator and his life.
The form of the poem helps us to see how mad the narrator of the poem really is. The genre of the poem is a dramatic monologue. There is only a stanza in the poem and this means that there is no interruption’s which helps us understand the speaker and how controlling he is. Another technique that Brawning uses to ensure that nobody else has a chance to speak is enjambment. The rhyme scheme is ‘ABABB’ this means that the first and last word on the first and third line rhymes and the second, fourth and fifth line. The fact that the rhyme scheme is repeated throughout suggests he is a very calculating and not quite as random as a madman might be.
Where the action takes place in this dramatic monologue helps us to understand more about the instability of the speaker. His cottage is in the middle of a forest, right beside a small late. He’s a game keeper, this means he looks after the forest, he make’s sure everything’s ok, he’s the police man of the forest. This will come between him and Porphyria as they are completely different people, he is much more lower class than she is and that didn’t happen often. Robert Brawning uses personification to create the creepy atmosphere of the poem. Brawning suggests the weather is alive as he describes the weather in a very ferocious way. Making out that it is a violent and fierce. The narrator tells us “The sullen wind was...
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