by Luis Dato
Rose in her hand, and moist eyes young with weeping,
She stands upon the threshold of her house,
Fragrant with scent that wakens love from sleeping,
She looks far down to where her husband plows.
Her hair dishevelled in the night of passion,
Her warm limbs humid with the sacred strife,
What may she know but man and woman fashion
Out of the clay of wrath and sorrow—Life?
She holds no joys beyond the day’s tomorrow,
She finds no worlds beyond her love’s embrace;
She looks upon the Form behind the furrow,
Who is her Mind, her Motion, Time and Space.
O somber mystery of eyes unspeaking,
O dark enigma of Life’s love forlorn;
The Sphinx beside the river smiles with seeking
The secret answer since the world was born.
Mill of the Gods (Estrella Alfon)
Among us who lived in Espeleta – that street that I love, about whose people I keep telling tales – among us, I say, there was one named Martha, and she was the daughter of Pio and Engracia.
To all of us, life must seem like a road given us to travel, and it is up to Fate, that convenient blunderer, whether, that road be broad and unwinding, or whether it shall be a tortuous lane, its path a hard and twisted mat of dust and stones. And each road, whether lane or avenue, shall have its own landmarks, that only the traveller soul shall recognize and remember, and remembering, continue the journey again. To Martha, the gods gave this for a first memory: a first scar.
She was a girl of twelve, and in every way she was but a child. A rather dull child, who always lagged behind the others of her age, whether in study or in play. Life had been so far a question of staying more years in a grade than the others, of being told she would have to apply herself a little harder if she didn’t want the infants catching up with her. But that was so dismal thing. She had gotten a little bit used to being always behind. To always being the biggest girl in her class. Even in play... [continues]
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