The Phenomenon Called Love
What is love? Love is a deep, tender, ineffable feeling of affection and solicitude toward a person, such as that arising from kinship, recognition of attractive qualities, or a sense of underlying oneness (Dictionary). But there are different types of love, and attitudes associated with it and commitment. Using William Shakespeare's, A Midsummer Night's Dream, this document will illustrate demonstrations with the intention of proving the aspects of love and how both genders react to it. In this piece the topics that will be covered are when two individuals fall in love, their style of loving, the prototypes of love and commitment, attitudes and behaviors associated with love, romantic love and adrenaline: the two component theory, and unrequited love.
Falling in love is the transition from not being in love to being in love (Devault, 134). There are slight gender differences when it comes to love. Although, research reveal more men than females claim they have never been in love (Hendrick as qtd. in Devault 134). One of the most important influences on falling in love is the individuals' style of loving. There are six styles of loving to verify the relationship: Eros, Ludus, Storge, Pragma, Mania, and Agape.
Eros is known as the love of beauty, such as individuals who are instantly attracted to the other and become emotionally involved quickly, then perish rapidly (Hendrick 131). Ludus is recognized as playful love; individuals that take love as a game. They contain more passion for the game rather than for their partner (Henrick 131). Storge is branded as companionate love, and consists of relationships that are based on a friendship that then progress to a higher levl of intimacy. The couples trust one another, but lack passion (Hendrick 131). Pragma is defined as realistic love, human beings that are rational and practical. They have their main assets that they want in a lover. They develop intense feelings once they... [continues]
What is love? Love is a deep, tender, ineffable feeling of affection and solicitude toward a person, such as that arising from kinship, recognition of attractive qualities, or a sense of underlying oneness (Dictionary). But there are different types of love, and attitudes associated with it and commitment. Using William Shakespeare's, A Midsummer Night's Dream, this document will illustrate demonstrations with the intention of proving the aspects of love and how both genders react to it. In this piece the topics that will be covered are when two individuals fall in love, their style of loving, the prototypes of love and commitment, attitudes and behaviors associated with love, romantic love and adrenaline: the two component theory, and unrequited love.
Falling in love is the transition from not being in love to being in love (Devault, 134). There are slight gender differences when it comes to love. Although, research reveal more men than females claim they have never been in love (Hendrick as qtd. in Devault 134). One of the most important influences on falling in love is the individuals' style of loving. There are six styles of loving to verify the relationship: Eros, Ludus, Storge, Pragma, Mania, and Agape.
Eros is known as the love of beauty, such as individuals who are instantly attracted to the other and become emotionally involved quickly, then perish rapidly (Hendrick 131). Ludus is recognized as playful love; individuals that take love as a game. They contain more passion for the game rather than for their partner (Henrick 131). Storge is branded as companionate love, and consists of relationships that are based on a friendship that then progress to a higher levl of intimacy. The couples trust one another, but lack passion (Hendrick 131). Pragma is defined as realistic love, human beings that are rational and practical. They have their main assets that they want in a lover. They develop intense feelings once they... [continues]
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