Othello is a tragic hero whose jealousy is cleverly manipulated by the maleficent Iago, transforming him from a noble figure to a disturbed murderer. In keeping with the tragic genre, Shakespeare depicts a sequence of events through which bring about Othello’s decline. The playwright slowly escalates the emotional intensity of the play as Othello becomes more obsessed and less rational. The audience experience a range of emotions as the emotional escalation created is at last over.…
In Shakespeare’s “Othello,” Othello is highly respected and looked up to but later is influenced by the antagonist, Iago, resulting in a jealous insecurity ultimately leading to his murdering of his own wife and the plotting of murdering of his ex-lieutenant, Cassio. The reader first notices Othello’s shift in character…
Othello, the play's protagonist, is the most dynamic character of them all due to the fact that he is a complete foil of himself by the final act of the play. In the second act Othello is introduced as confident, esteemed general of the Venetian army and a “valiant Moor,” (1.3), but by the end of the play he becomes overcome with insecurity and jealousy because of the rumors fed to him by his general. Throughout the play the audience witnesses the subtle shift in Othello’s feelings toward his wife, Desdemona, and his former lieutenant, Cassio. Othello’s suspicion soon drives him to insanity because he cannot figure out what the truth is. He says “I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known.”(3.3) exclaiming how he would rather Desdemona sleep with the entire army without him knowing than being uncertain of her rumored affair with Cassio. The lie that Iago tells Othello ruins the Moor’s life. Othello goes from a respected commanding officer to an emotionally distraught killer. Iago had made the Moor a mirror image of himself.…
Othello is easily persuaded and this leads him to put his trust in the wrong people. He unfortunately gets ensnared into Iago’s devious plan. Othello treats Iago as a trust-worthy friend who he has known for a long period of time. When Iago realizes that Othello believes the story about Cassio’s relationship with Desdemona, Iago decides to take the scheme further. Iago places horrid images in Othello’s mind that turn Othello into a rash man. Othello’s tragic flaw ultimately leads to his destruction. Othello’s personality vastly transforms due to the madness. Othello ironically mistrusts his loyal wife Desdemona and good friend Cassio. When Othello places Desdemona on her deathbed, he states, “Be thus when thou are dead, and I will kill thee/And love thee after” (V.ii.20-21). At this moment in the play, Othello’s actions are ironic. Originally, Othello worried that Desdemona would stab him in the back, but he is the one who betrays his beloved wife. Othello is brought to this action because Iago places extreme jealousy within…
For every Shakespearean tragedy there is a grossly unfortunate sequence of events that eventually leads to a bloodbath. The reason for this bloodbath is the tragic flaw. The tragic flaw is the small character defect in the protagonist that, in most circumstances, wouldn’t have been a big problem if not for said events. People frequently mistake Othello’s tragic flaw. They jump to the seemingly obvious choice of jealousy or naivety. The actually tragic flaw will be revealed in this essay.…
Othello is the almighty, respected, and victorious General of the Venetian forces, but finds himself defeated in his most important battle. Othello past triumphs are proof of his strength and reputation, “For since these arms of mine had seven years’ pith” (Act I, Scene 3). Othello loyalty to the people of Venice is shown throughout the play, and the trust he…
Jealousy, the universal feeling we’ve all experienced at one time or another. Whether it be the newest piece of technology that someone has that you don’t and wish you did, or that kid on the playground that had those new light up shoes that were all the rage. Jealousy is not something that can be avoided, only controlled. It sneaks up on you, like a tree root sneaks up on concrete before it breaks to the surface. In William Shakespeare’s tragedy Othello, jealousy is a key component used by many characters as a weapon that is twisted and manipulated to serve their own ends.…
From the opening scene of the play, Othello, Iago is driven by envy and the overwhelming need for revenge as a result of being overlooked for a promotion. He deliberately begins to weave his manipulation over Othello for the sole purpose of revenge: “after some time, to abuse Othello’s ear, that he [being Cassio] is too familiar with his wife”. Through the effective utilisation of the technique of a hyperbole and sensory imagery, the responder recognises the severity of the lies that Iago will “pour” into Othello’s ear. As a result of this, the responder is able to comprehend how Iago will go about his exploitation of Othello’s fragile peace of mind with regards to Desdemona’s fidelity. Iago’s horrendous deeds of lying and deliberate deceit ultimately lead to Othello’s and Desdemona’s marriage being filled with conflict which leads to their untimely death. Therefore, relationships are altered as a result of conflict as demonstrated with Desdemona and Othello.…
Ladies and Gentlemen of the Jury, I've come here today to present you with a man who wants to justify the murder of his wife. I will show you how unjustified his act and his thoughts were in this not so spontaneous crime. Othello is on trial for murder and I would like to remind you that he has admitted full and absolute blame for this and you should not heed that lightly. Under the circumstances his mental state will come into account, but do not be bewildered by his claims of psychosis as any man could have had these thoughts befallen upon him and not taken action.…
Shakespeare's "Othello" exhibits the demise of man via jealousy and rumor. The work showcases perhaps the gravest villain in literary times, Iago, whose evil cunning and masterful manipulation steamrolls the demise of honorable reputations; the destruction of intimate relationships, both brotherly and romantic; and finally, breaks down the sanity and conviction of stable men due to excessive need to protect ego and preserve personal pride.…
“O, beware, my lord, of jealousy! / It is the green-eyed monster, which doth mock/ The meat it feeds on” (Shakespeare III. iii. 195-197). Everyone has the capacity for jealousy. It can change how people think as well as how they act. In the play Othello by William Shakespeare, jealousy is nurtured within the minds of multiple characters, and this jealousy is what ignites the want to make multiple misconceptions arise in order to create havoc and inflict suffering upon others and in some cases, upon themselves. To start off, Iago illustrates how jealousy can cause one to want to inflict pain upon others. Secondly, Roderigo shows how jealousy can make one become easily persuaded into doing wrong things. Lastly, Othello is a fine example of how jealousy can cloud somebody’s mind and cause them to see things as something else and inflict suffering on themselves and on others.…
Emilia and Desdemona are both confined within a patriarchal power structure, and although their responses to this dynamic are different, they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them.…
Shakespeare’s Othello is a tragedy not because of Othello’s decision making but by the effects of deception and manipulation that the characters invoke. In Othello, Shakespeare suggests that the discrepancy between idealized expectations and reality such as Othello’s reluctance to make changes, Iago’s manipulation tactics and the insecurities Othello has between him and Desdemona ultimately led to Othello’s downfall. These reasons show he is not willing to accept reality because he can’t seem to admit his failures. This concept can be seen in a critical article in “Iago, Heroic Tragedy, and Othello” by William Hazlitt. Hazlitt argues the wide margin in terms of character personalities between Othello and Iago and explores how their respective…
Othello’s notable tragic flaw is, as Iago states himself, “The Moor is of a free and open nature”, meaning that he takes people and things at face value, not expecting any hidden vendetta or betrayal. This can be emphasized since Othello was interpreted by Shakespeare as being a soldier since he was seven years old. This would mean that he would expect to recognize his enemy simply by looking at his face, and not expect any attack from his supposed allies. This is where the audience gets the impression that Othello is hopelessly naïve, which can be seen at how he describes the man who hates him the most, “my ancient: A man he is of honesty and trust.” In the following quotation Othello asks Iago to look after his most prized possession: his wife, Desdemona. This moment can be considered significant as it could symbolize Othello placing Desdemona’s and his own life in Iago ’s hands. “Honest Iago, My Desdemona must I leave to thee.” One example of Othello’s tragic flaw leading to his downfall is when he mishears the conversation between Cassio and Iago, and by his own thinking, contemplates murder. “How shall I murder him, Iago?” Although Iago does succeed in convincing Othello to kill Desdemona, there is no quotation before Act 4 Scene 1…
At the start of the play Othello seems to be prudent, impeccable and unduly romantic. Othello and Desdemona were clearly passionately in love, we see this when Desdemona and Othello elope and Desdemona stands up to her father stating that she is “hitherto” his daughter. The couple are willing to wait for Brabantio’s blessing of the marriage before they consummate it, this shows us that Othello is kind and that he respects Desdemona’s father and Desdemona. Othello is a true gentleman, with an exquisite way of speaking. Othello know his place and ranking, he speaks with respect to those both above and below him “Most potent, grave and reverend signiors”. Othello's character is first shown as a hero of war and a man of great pride, valour and courage: “I must be found. / My parts, my title, and my perfect soul, / Shall manifest me rightly:” and “Valiant Othello, we must straight employ you”. Othello is a man who has suffered, survived and succeeded in his life. He went through slavery and all sorts of trials, to end up as the Venetian Armies general: “…the story of my life/ From year to year, the battles, sieges, fortunes, / That I have passed.” In the beginning of the play there is little indication that Othello is an asinine character which could lead to the catastrophe of the play, in fact we view him as a champion who can win every battle.…